He must have been, nevertheless, a very clever man, an apt pupil, and
a most painstaking student, judging by the voluminous notes as to
proportions, and so forth, which he wrote on his drawings. He went
to Jones in 1628 at the age of seventeen; and according to the brief
attached to his petition, already mentioned, “he was brought up by his
Unckle Mr. Inigo Jones upon his late Maiestyes command in the study of
Architecture, as well that w^{ch} relates to building as for masques
Tryumphs and the like.” It will be remembered that Mr. John Denham, as
he then was in the year 1660, had been granted the post of surveyor of
the king’s works, although he had received no suitable training; the
brief concludes with the following apt remarks: “That Mr. Denham may
possibly, as most gentry in England at this day have some knowledge in
the Theory of Architecture; but nothing of ye practique soe that
he must of necessity have another at his Mai^{ties} charge to doe
his business; whereas Mr. Webb himself designes, orders, and directs,
whatever given in command w^{th} out any other man’s assistance.
His Mai^{tie} may please to grant some other place more proper for
Mr. Denham’s abilityes and confirme unto Mr. Webb the Surveyors place
wherein he hath consumed 30 years study, there being scarce any of the
greate Nobility or eminent gentry of England but he hath done service
for in matter of building, ordering of meddalls, statues and the like.”
[Illustration: FIG. 45.--ELEVATION OF THE RIVER FRONT,
GREENWICH PALACE, BY JOHN WEBB.
From the original Drawing in the Library of the R.I.B.A.]
[Illustration:
North-East View. North Front.
FIG. 46.--THORPE HALL, NEAR PETERBOROUGH, 1656.
From Engraving by Hakewill, 1852.]
The common sense of this contention, although not flattering to Mr
Denham, was vindicated by the appointment of Webb as assistant surveyor
at Greenwich. But the petition and brief are interesting in other
ways. They assert that Charles I. expressly caused Webb to be trained
in architecture and the preparation of masques, in order to succeed
Inigo Jones and carry on his work. They confirm roughly the date of his
apprenticeship: and the brief states that he had worked for most of the
great nobility and eminent gentry, thereby showing that he was a man
of large independent practice, and not merely “Inigo Jones’s man”--a
conclusion to which his drawings had already led.
Public-domain text, read in full here on John Shaqi.
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