moralising), Essex, Buckingham, and other likely figures. There are cuts
by the "Van-somethings and Back-somethings" of the time: and the whole,
though not worthy of anything better than the "fourpenny box," is an
evident symptom of popular taste. The sweetmeats or _hors d'oeuvre_ of
the older caterings for that taste are here collected together to form a
_pièce de résistance_. It is true that _The Novelist_ is only a true
title in the older sense--that the pieces are _novelle_ not "novels"
proper. But they are fiction, or fact treated like fiction: and though
the popular taste itself was evidently ceasing to be satisfied with
these morsels and demanding a substantial joint, yet the substance was,
after all, the same.
We rise higher, if not very high, with the novels of Mrs. Eliza Haywood
(1693-1756), one of the damned of the _Dunciad_, but, like some of her
fellows in that _Inferno_, by no means deserving hopeless reprobation.
Every one who has devoted any attention to the history of the novel, as
well as some who have merely considered it as a part of that of English
literature generally, has noticed the curious contrast between the
earlier and the later novels of this writer. _Betsy Thoughtless_ (1751)
and _Jemmy and Jenny Jessamy_ (1753) could, without much difficulty, be
transposed into novels of to-day. _Idalia_ (1723) is of an entirely
different mood and scheme. It is a pure Behnesque _nouvelle_, merely
describing the plots and outrage which ruin the heroine (_The
Unfortunate Mistress_ is the second title), but attempting no
character-drawing (the only hint at such a thing is that Idalia, instead
of being a meek and suffering victim, is said to have a violent temper),
and making not the slightest effort even to complete what story there
is. For the thing breaks off with a sort of "_perhaps_ to be concluded
in _some_ next," about which we have not made up our minds. Very rarely
do we find such a curious combination or succession of styles so early:
but the novel, for pretty obvious reasons, seems to offer temptations to
it and facilities for it.
Public-domain text, read in full here on John Shaqi.
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