The novels that have been noticed since those contrasted ones of Mrs.
Haywood's, which occupy a position by themselves, all possess a sort of
traditional fame; and cover (with the proper time allowed for the start
given by Richardson and Fielding) nearly the same period of thirty
years--in this case 1744 (_David Simple_) to 1772 (_The Spiritual
Quixote_)--which is covered by the novels of the great quartette
themselves. It would be possible to add a great many, and easy and not
disagreeable to the writer to dwell on a few. Of these few some are
perhaps necessary. Frank Coventry's _Pompey the Little_--an amusing
satirical novel with a pet dog for the title-giver and with the
promising (but as a rule ill-handled) subject of university life treated
early--appeared in 1751--the same year which saw the much higher flight
(the pun is in sense not words) of _Peter Wilkins_, by Robert Paltock of
Clement's Inn, a person of whom practically nothing else is known. It
would be lucky for many people if they were thus singly yoked to
history. It was once fashionable to dismiss _Peter_ as a boy's book,
because it discovers a world of flying men and women, modelled partly on
Defoe, partly on Swift; it has more recently been fashionable to hint a
sneer at it as "sentimental" because of its presentment of a sort of
fantastic and unconventional Amelia (who, it may be remembered, made her
appearance in the same year) in the heroine Youwarkee. Persons who do
not care for fashion will perhaps sometimes agree that, though not
exactly a masterpiece, it is rather a charming book. If anybody is
sickened by its charm he may restore himself by a still better known
story which no one can accuse of charm or sentiment, though it is
clever enough--Charles Johnstone's _Chrysal_ or _The Adventures of a
Guinea_ (1760). This, which is strongly Smollettian in more ways than
one, derives its chief notoriety from the way in which the scandalous
(and perhaps partly fabulous) orgies of Medmenham Abbey are, like other
scandalous and partly fabulous gossip of the time, brought in. But it
_is_ clever; though emphatically one of the books which "leave a bad
taste in the mouth." Indeed about this time the novel, which even in
clean hands allowed itself not a little freedom, took, in others,
excursions in the direction of the province of "prohibited literature,"
and sometimes passed the border.
Public-domain text, read in full here on John Shaqi.
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