But these now most obvious truths were not obvious at all between 1780
and 1810: and it is perhaps the greatest evidence of Scott's genius that
half, but by no means quite, unconsciously he saw them, and that he has
made everybody see them since. It was undoubtedly fortunate that he
began novel-writing so late: for earlier even he might have been caught
in the errors of the time. But when he did begin, he had not only
reached middle life and matured his considerable original critical
faculty--criticism and wine are the only things that even the "kind calm
years" may be absolutely trusted to improve if there is any original
goodness in them--but he had other advantages. He had read, if not with
minute accuracy, very widely indeed: and he possessed, as Lord Morley
has well said, "the genius of history" in a degree which perhaps no
merely meticulous scholar has ever reached, and which was not exceeded
in _quality_ even by the greatest historians such as Gibbon. He had an
almost unmatched combination of common sense with poetic imagination, of
knowledge of the world with knowledge of letters. He had shown himself
to be possessed of the secret of semi-historical narrative itself in
half a dozen remarkable verse romances, and therefore had less to do in
engineering the prose romance. Last of all, he had seen what to
avoid--not merely in his editing of Strutt's _Queenhoo Hall_ (a valuable
property-room for the novel, but nothing of a real novel), but in his
reading of the failures of his predecessors and contemporaries. The very
beginning of _Waverley_ itself (which most people skip) is invaluable,
because it shows us that at the time he wrote it (which, it need hardly
be said, was a long time before its completion) he had not the knowledge
or the courage to strike straight out into the stream of action and
conversation, but troubled himself with accumulating bladders and
arranging ropes for the possible salvation of his narrative if it got
into difficulties. Very soon he knew that it would not get into
difficulties: and away he went.
Public-domain text, read in full here on John Shaqi.
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