The English Novel and the Principle of its DevelopmentLanier, Sidney
History
The English Novel and the Principle of its Development
Lanier, Sidney
English fiction -- History and criticism
She was a lovely woman--Mrs. Amos Barton; a large, fair, gentle
Madonna, with thick, close chestnut curls beside her well rounded
cheeks, and with large, tender, short-sighted eyes. The flowing
line of her tall figure made the limpest dress look graceful, and
her old frayed black silk seemed to repose on her bust and limbs
with a placid elegance and sense of distinction, in strong
contrast with the uneasy sense of being no fit, that seemed to
express itself in the rustling of Mrs. Farquhar's _gros de
Naples_. The caps she wore would have been pronounced, when off
her head, utterly heavy and hideous--for in those days even
fashionable caps were large and floppy; but surmounting her long,
arched neck, and mingling their borders of cheap lace and ribbon
with her chestnut curls, they seemed miracles of successful
millinery. Among strangers she was shy and tremulous as a girl of
fifteen; she blushed crimson if any one appealed to her opinion;
yet that tall, graceful, substantial presence was so imposing in
its mildness, that men spoke to her with an agreeable sensation
of timidity.... I venture to say Mrs. Barton would never have
grown half so angelic if she had married the man you would
perhaps have had in your eye for her--a man with sufficient
income and abundant personal éclat. Besides, Amos was an
affectionate husband, and, in his way, valued his wife as his
best treasure.
* * * * *
"I wish we could do without borrowing money, and yet I don't see
how we can. Poor Fred must have some new shoes; I couldn't let
him go to Mrs. Bond's yesterday because his toes were peeping
out, dear child; and I can't let him walk anywhere except in the
garden. He must have a pair before Sunday. Really, boots and
shoes are the greatest trouble of my life. Everything else one
can turn and turn about, and make old look like new; but there's
no coaxing boots and shoes to look better than they are."
Mrs. Barton was playfully undervaluing her skill in
metamorphosing boots and shoes. She had at that moment on her
feet a pair of slippers which had long ago lived through the
prunella phase of their existence, and were now running a
respectable career as black silk slippers, having been neatly
covered with that material by Mrs. Barton's own neat fingers.
Wonderful fingers those! they were never empty; for if she went
to spend a few hours with a friendly parishioner, out came her
thimble and a piece of calico or muslin, which before she left,
had become a mysterious little garment with all sorts of hemmed
ins and outs. She was even trying to persuade her husband to
leave off tight pantaloons; because if he would wear the ordinary
gun-cases, she knew she could make them so well that no one would
suspect the tailor.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account