The English Novel and the Principle of its DevelopmentLanier, Sidney
History
The English Novel and the Principle of its Development
Lanier, Sidney
English fiction -- History and criticism
"My dear father and mother; I have shown your letter to my
beloved.... 'Dear good soul,' said he, 'how does everything they
say and everything they write manifest the worthiness of their
hearts! Tell them ... let them find out another couple as worthy
as themselves, and I will do as much for them. Indeed I would not
place them,' continued the dear obliger, 'in the same county,
because I would wish two counties to be blessed for their
sakes.'... I could only fly to his generous bosom ... and with my
eyes swimming in tears of grateful joy ... bless God and bless
him with my whole heart; for speak I could not! but almost choked
with joy, sobbed to him my grateful acknowledgements.... ''Tis
too much, too much,' said I, in broken accents. 'O, sir, bless me
more gradually and more cautiously--for I cannot bear it!' And,
indeed, my heart went flutter, flutter, flutter, at his dear
breast, as if it wanted to break its too narrow prison to mingle
still more intimately with his own."
And a few lines further on we have this purely commercial view of
religion:
"And if our prayers shall be heard," continues Pamela, "and we
shall have the pleasure to think that his" (her husband's)
"advances in piety are owing not a little to them ... then indeed
may we take the pride to think we have repaid his goodness to us
and that we have satisfied the debt which nothing less can
discharge."
Or, again, in the same letter, she exclaims anew:
"See, O see, my excellent parents, how we are crowned with
blessings upon blessings, until we are the talk of all who know
us; you for your honesty, I for my humility and virtue;" so that
now I have "nothing to do but to reap all the rewards which this
life can afford; and if I walk humbly and improve my blessed
opportunities, will heighten and perfect all, in a still more
joyful futurity."
Perhaps a more downright creed, not only of worldliness, but of
"other-worldliness," was never more explicitly avowed.
Now, to put the whole moral effect of this book into a
nutshell--Richardson had gravely announced it as a warning to young
servant-girls, but why might he not as well have announced it as an
encouragement to old villains? The virtue of Pamela, it is true, is
duly rewarded: but Mr. B., with all his villainy, certainly fares
better than Pamela: for he not only receives to himself a paragon of a
wife, but the sole operation of his previous villainy towards her is
to make his neighbors extol him to the skies as a saint, when he turns
from it; so that, considering the enormous surplus of Mr. B.'s rewards
as against Pamela's, instead of the title _Pamela; or, The Reward of
Virtue_, ought not the book to have been called _Mr. B.; or, The
Reward of Villainy_?
Public-domain text, read in full here on John Shaqi.
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