The English Novel and the Principle of its DevelopmentLanier, Sidney
History
The English Novel and the Principle of its Development
Lanier, Sidney
English fiction -- History and criticism
Mrs. Pullet rose with a melancholy air and unlocked one wing of a
very bright wardrobe, where you may have hastily supposed she
would find the new bonnet. Not at all. Such a supposition could
only have arisen from a too superficial acquaintance with the
habits of the Dodson family. In this wardrobe Mrs. Pullet was
seeking something small enough to be hidden among layers of
linen--it was a door key.
'You must come with me into the best room,' said Mrs. Pullet.
'May the children too, sister?' inquired Mrs. Tulliver, who saw
that Maggie and Lucy were looking rather eager.
'Well,' said aunt Pullet, reflectively, 'it'll perhaps be safer
for 'em to come--they'll be touching something if we leave 'em
behind.'
So they went in procession along the bright and slippery
corridor, dimly lighted by the semilunar top of the window which
rose above the closed shutter: it was really quite solemn. Aunt
Pullet paused and unlocked a door which opened on something still
more solemn than the passage--a darkened room, in which the outer
light, entering feebly, showed what looked like the corpses of
furniture in white shrouds. Everything that was not shrouded
stood with its legs upward. Lucy laid hold of Maggie's frock, and
Maggie's heart beat rapidly.
Aunt Pullet half opened the shutter, and then unlocked the
wardrobe with a melancholy deliberateness which was quite in
keeping with the funereal solemnity of the scene. The delicious
scent of rose leaves that issued from the wardrobe made the
process of taking out sheet after sheet of silver paper quite
pleasant to assist at, though the sight of the bonnet at last was
an anticlimax to Maggie, who would have preferred something more
preternatural. But few things could have been more impressive to
Mrs. Tulliver. She looked all round it in silence for some
moments, and then said emphatically, 'Well, sister, I'll never
speak against the full crowns again!'
It was a great concession, and Mrs. Pullet felt it; she felt
something was due to it.
'You'd like to see it on, sister?' she said, sadly. 'I'll open
the shutter a bit farther.'
'Well, if you don't mind taking off your cap, sister,' said Mrs.
Tulliver.
Mrs. Pullet took off her cap, displaying the brown silk scalp
with a jutting promontory of curls which was common to the mature
and judicious women of those times, and, placing the bonnet on
her head, turned slowly round, like a draper's lay-figure, that
Mrs. Tulliver might miss no point of view.
'I've sometimes thought there's a loop too much o' ribbon on this
left side, sister; what do you think?' said Mrs. Pullet.
Public-domain text, read in full here on John Shaqi.
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