The English Novel in the Time of ShakespeareJusserand, J. J. (Jean Jules)
History
The English Novel in the Time of Shakespeare
Jusserand, J. J. (Jean Jules)
English fiction -- Early modern, 1500-1700 -- History and criticism
[108] "Syrinx or a seavenfold historie ... newly perused and amended by
the original author," London, 1597, 4to. Warner died in 1609.
[109] "Episode of Julia and Proteus." This episode has been traced to
the story of the shepherdess Felismena, in Montemayor's "Diana." But
Shakespeare may have taken some hints also from Warner. Opheltes
(Proteus) married (not betrothed) to the virtuous Alcippe (Julia), goes
to "Sardis," where he becomes acquainted (in the same manner as Greene's
Francesco) with the courtesan Phoemonoe (Greene's Infida). Alcippe hears
of it, and wants at least to be able to see her husband; she enters the
service of the courtesan, and there suffers a moral martyrdom. Opheltes
is ruined, and, in words which Greene nearly copied, "Phoemonoe not
brooking the cumbersome haunt of so beggerly a guest, with outragious
tearms flatly forbad him her house." Alcippe makes herself known, and
all ends well for the couple.
[110] Arber's reprint, pp. 139 and 141.
[111] "The Repentance of Robert Greene," 1592. "Works," ed. Grosart,
vol. xii. p. 172.
[112] He belonged then to Clare Hall; the preface to the second part of
"Mamillia" (entered 1583) is dated "from my studie in Clarehall." Later
in life he seems to have again felt the want of increasing his
knowledge, and he was, for a while, incorporated at Oxford, July, 1588;
he, therefore, describes himself on the title-page of some of his works,
not without touch of pride, as belonging to both universities. In common
with his friend Lodge he had a taste for medical studies, and he appears
to have attempted to open to himself a career of this kind; he styles
himself on the title-page of "Planetomachia," 1585, as "Student in
Phisicke," but as he never gave himself any higher appellation we may
take it for granted that he never went beyond the preliminaries.
[113] "The Repentance of Robert Greene," 1592, "Works" vol. xii. p. 173.
[114] "Greene's never too late," 1590, "Works," vol. viii. p. 101.
[115] "Greene's Groats-worth of wit," 1592, "Works," vol. xii. pp. 131
_et seq._ "Roberto ... whose life in most parts agreeing with mine,
found one selfe punishment as I have done" (_Ibid._ p. 137).
[116] "Strange Newes," 1592. A rough engraving, showing Greene at his
writing table, is to be seen on the title-page of "Greene in conceipt,"
a novel by T. Dickenson, 1598; his "peake" exists, but is not quite so
long as Nash's description would have led us to expect.
[117] "Repentance," "Works," vol. xii. p. 164.
[118] See especially vol. x. of the "Works." Greene's example gave a
great impetus to these strange kinds of works, but he was not the first
to compose such; several came before him, especially T. Audeley, with
his "Fraternitye of vacabondes," 1560-1, and Thomas Harman, "A caveat or
warening for common cursetors vulgarely called vagabones," 1566 or 1567;
both reprinted by Viles and Furnivall, Early English Text Society, 1869.
Public-domain text, read in full here on John Shaqi.
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