"Quip for an upstart Courtier," Greene's, frontispiece of, 15, 265; description of, 189-192 R. Rabelais, 43; and the "Utopia," 51, 52; 88, 128, 289, 297, 304, 305, 399 Racine, 355, 363, 395, 396, 397 Racine, Louis, 123 "Railleur ou la Satyre du Temps," Mareschal's, 282 Raleigh, 218 Rambouillet, Hotel de, 352, 356, 357, 370-373; Mme. de, 381 Renaissance, tentative, of the fourteenth century, 43; short stories, outcome of, 47; period of the, 60, 68; effects of the, 69, 70; art of the, 79; women at the time of the, 133; costumes and furniture in Sidney's "Arcadia" pure, 244; characteristics of, 303 "Returne from Parnassus," 140 _note_, 316 _note_, 326 Rich, "Farewell to militarie profession," 81; imitator of Lyly, 145; works of, 146, 147 Rich, Lord, husband of Sidney's "Stella," 223, 227 Richardson, 25, 26, 123, 124, 127, 131; "Pamela" and "Clarissa Harlowe," 169, 202; borrows from Sidney, 249, 250; 270, 317, 378, 417 Richelieu, 352 Rivers, Lord, 134 Robert the Devil, drawing of, 57 "Robinson Crusoe," 123, 124, 159 Robinson, Ralph, translator of More's "Utopia," 50, 51 Rogers, William, engraving by, 11, 256 "Roland," poem imitated from a French romance, 34, 39 "Roman bourgeois," 398 "Roman comique," 398 Romances, end of chivalrous, 25; pastoral, 217-283; heroical, reaction against, 397, 398, 411; French, translated and read in England, 363-384 Ronsard, 43, 88 "Rosalynde," Lodge's, compared with "As you like it," 202-213 Rousseau's "Emile," 130, 131; "Social contract," 221; and Mrs. Behn, 414-416 Rowley, 331 S. Sainte More, Benoit de, poems by, 34, 35 Saint Dunstan, literature under, 33 Salisbury, John of, 38 "Sapho and Phao," Lyly's, 138 Sarasin, 350 Scarron, 398, 400 _note_, 404 "Scipion," 365 Scott, Sir Walter, 26, 36 Scudery, George de, 278, 348, 355, 356; preface to "Ibrahim," 358, 408, 409, 415; Madeleine de, "Clelie," 20; 355-357; 361, 384, 388, 396 Settle's "Empress of Morocco," 20, 21, 293; 392-395 Sevigne, Mme. de, admirer of heroism in romances and plays, 352, 353, 357, 381 Shakespeare, interior view of a theatre in time of, 17, 18, 286; 24; glory of, 26; editions of the plays of, 27; 43; his daily reading, 85; outcome of his age, 88; Cleopatra, 97, 99, 156; source of "Twelfth Night," 147; of "Winter's Tale," 155, 178-185; "Parismus" compared with "Romeo and Juliet," 194-198; of "As you like it," 202-213; source of part of "Lear," 262; source of "Two Gentlemen of Verona," 149, 150, 236 _note_; little known in France, 279; a copy of, in Louis XIV.'s library, 281; earliest French criticism on, 282; humour of, 289; beginning of career of, 299, 300; on music, 300, 301; interposes himself in his plays, 314, 315; and Moliere, 343; style of, 403, 404 Shirley, 288 Sidney, Mary, Countess of Pembroke, portrait of, 16; fame of, 234, 235; works dedicated to, 263