The English Novel in the Time of ShakespeareJusserand, J. J. (Jean Jules)
History
The English Novel in the Time of Shakespeare
Jusserand, J. J. (Jean Jules)
English fiction -- Early modern, 1500-1700 -- History and criticism
The earliest attempts at the novel in the modern style bore a
resemblance to these social and intellectual manners. Let us not be
surprised if these works are too heavily bedizened for our liking: the
toilettes and fashions of that time were less sober than those of
to-day; it was the same with literature. Queen Elizabeth, who was wholly
representative of her age, and shared even its follies, liked and
encouraged finery in everything. All that was ornament and pageantry
held her favour; in spite of public affairs, she remained all her life
the most feminine of women; on her gowns, in her palaces, with her
poets, she liked to find ornaments and embellishments in profusion. The
learned queen who read Plutarch in Greek, a thing Shakespeare could
never do, and translated Boetius into English,[59] found, in spite of
her philosophy, an immense delight in having herself painted in
fantastic costumes, her thin person hidden in a silken sheath, covered
by a light gauze, over which birds ran. Around her was a perpetual field
of cloth of gold, and the nobles sold their lands in order to appear at
Court sufficiently embroidered. She liked nothing better than to hear
and take part in conversations on dresses and fashions. This was so well
known, that when Mary, Queen of Scots, sent the same Sir James Melville
on his mission to the English Court, in 1564, she was careful to advise
him not to forget such means to propitiate her "dear sister." The
account left by Melville of the way in which he carried into effect this
part of his instructions is highly characteristic of the times, and
gives an idea of the way in which a courtly conversation was then
conducted:
"The Queen my mistress," says Melville, in his "Memoires," "had
instructed me to leave matters of gravity sometimes, and cast in merry
purposes, lest otherwise I should be wearied [wearying], she being well
informed of that queens natural temper. Therefore in declaring my
observations of the customs of Dutchland, Poland and Italy, the buskins
of the women was not forgot, and what countrey weed I thought best
becoming gentlewomen. The Queen said she had cloths of every sort, which
every day thereafter, so long as I was there, she changed. One day she
had the English weed, another the French, and another the Italian and so
forth.
"She asked me which of them became her best?
"I answered, in my judgment the Italian dress, which answer I found
pleased her well, for she delighted to shew her golden coloured hair,
wearing a caul and bonnet as they do in Italy. Her hair was more reddish
than yellow, curled in appearance naturally.
"She desired to know of me what colour of hair was reputed best, and
which of them two was fairest.
"I answered the fairness of them both was not their worst faults.
"But she was earnest with me to declare which of them I judged fairest?
"I said she was the fairest Queen of England, and mine the fairest Queen
of Scotland.
"Yet she appeared earnest.
Public-domain text, read in full here on John Shaqi.
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