The English Rogue: Continued in the Life of Meriton Latroon, and Other Extravagants: The Fourth PartHead, Richard
General
The English Rogue: Continued in the Life of Meriton Latroon, and Other Extravagants: The Fourth Part
Head, Richard
Rogues and vagabonds -- England -- Fiction
be taught to speak better, and understand more than he; a Baboon treads
a Stage a thousand degrees beyond him; See but yonder Horse-fac’d Lover,
is he fit to act that part with that hunting face of his? it is enough
without the help of a Vizard to fright his Mistress into Convulsion
fits, or make a young Woman miscarry, that hath not half gone her time.
If reviling one another would not put them together by the ears, there
was another expedient would infallibly do it. There was one well
stricken in years, yet far more amorous or salacious than the younger,
and when she found not her accustomed pleasures, she judg’d that one of
those three, had stoll them from her; when jealousie had possest her of
that Opinion, she ne’re capitulated with them otherwise, than with her
hands, which she used so nimbly together with the nails, that had not
black Patches been in Fashion, I know not how without shame they could
have played. The Men on the other side, being known Rivals to one
another, could not forbear shewing their animosities, (as their parts
permitted them) one being run into the hand, another through the Arm,
making a real Tragedy of what was but pretended. Their Stock of Clothes
was very small so that a Parson was forc’d to Act in a Loyars Gown,
instead of one that was Canonical; a Bishop, with a Shepherds Crook,
instead of a Crozier, and a Cushion so dented, that the Corners might be
more perspicuous, instead of a Miter; they wanted a Target, and knew not
what to do, at last, the invention of one of the wittiest, helpt them to
a large Wooden Tray, and nailing a piece of Tape to the sides within,
served rarely well. The Actors were few, wherefore some Acted three or
four parts, nay one Acted two parts at once upon the Stage, the King,
and the Nobleman; when as a Nobleman in a long mourning Cloak, (for they
could get nothing else, that could nearer represent him by) he spake to
an _Indian_ Gown that lay in a Chair, with a Past-board Crown that lay
upon it, all bedawbed with yellow, (and I know not what Colours) by a
Countrey Sign-Painter, to make it look like. Having ended his Speech, he
threw off the long Cloak, and putting on the Crown and Gown, he then as
a King returned an answer to the Cloak, I mean the Nobleman, making a
many changes, till the conference was over. The Nobleman _i. e._ the
Cloak, being taken off the Stage, that is, having made his _exit_, it
was the Kings Cue to seat himself a while, to give audience to a person,
that had great concerns with his Majesty, whole Speech being long and
his memory treacherous, he had not gone a quarter through his Speech,
but that he was irrecoverably out, past all prompting; the King not
knowing how to help, and the audience eagerly expecting his going on, at
last it came into his head, ingenuously to tell him that he had heard
enough, he would hear the rest within, by which means the Play went on.
Public-domain text, read in full here on John Shaqi.
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