The English Spy: An Original Work Characteristic, Satirical, And Humorous.: Comprising Scenes And Sketches In Every Rank Of Society, Being Portraits Drawn From The LifeWestmacott, C. M. (Charles Molloy)
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The English Spy: An Original Work Characteristic, Satirical, And Humorous.: Comprising Scenes And Sketches In Every Rank Of Society, Being Portraits Drawn From The Life
Westmacott, C. M. (Charles Molloy)
England -- Social life and customs; Satire, English; University of Oxford -- Anecdotes
Ascending a dark stone staircase till the oaken beams of the roof
proclaimed we had reached the domiciliary abode of genius, I found
myself in the centre of my future habitation, an attic on the third
floor: I much doubt if poor Belzoni, when he discovered the Egyptian
sepulchre, could have exhibited more astonishment. The old bed-maker,
and the scout of my predecessor, had prepared the apartment for my
reception by gutting it of every thing useful to the value of a cloak
pin: the former was engaged in sweeping up the dust, which, from the
clouds that surrounded us, would not appear to have been disturbed for
six months before at least. I had nearly broken my shins, on my first
entrance, over the fire-shovel and bucket, and I was now in more danger
of being choked with filth. "Who inhabited this delightful place before,
Mark?" "A mad wag, but a generous gentleman, Sir, take notice, one
Charles Rattle, Esq., who was expelled college for smuggling, take
notice: the proctor, with the town marshal and his bull dogs, detected
him and two others one night drawing up some fresh provision in the
college plate-basket. Mr. Rattle, in his fright, dropped the fair nun of
St. Clement's plump upon the proctor, who could not understand the joke;
but, having recovered ~152~~ his legs, entered the college, and found
one of the fair sisters concealed in Mr. Rattle's room, take notice.
In consequence he was next day pulled up before the big wigs, when,
refusing to make a suitable apology, he received sentence of expulsion,
take notice." "He must have been a genius," quoth I, "and a very
eccentric one too, from the relics he has left behind of his favourite
propensities." In one corner of the room lay deposited a heap of lumber,
thrown together, as a printer would say, in _pie_, composed of
broken tables, broken bottles, trunks, noseless bellows, books of all
descriptions, a pair of _muffles_, and the cap of sacred academus with a
hole through the crown (emblematical, I should think, of the pericranium
it had once covered), and stuck upon the leg of a broken chair. The
rats, those very agreeable visitors of ancient habitations, were
seen scampering away upon our entrance, and the ceiling was elegantly
decorated with the smoke of a candle in a great variety of ornamented
designs, consisting of caricatures of dignitaries and the Christian
names of favourite damsels. There was poor Cicero, with a smashed crown,
turned upside down in the fire-place, and a map of Oxford hanging in
tatters above it; a portrait of Tom Crib was in the space adjoining the
window, not one whole pane of which had survived the general wreck; but
what most puzzled me was the appearance of the cupboard door: the bottom
hinge had given way, and it hung suspended by one joint in an oblique
direction, exhibiting, on an inside face, a circle chalked for a target
and perforated with numerous holes This door was in a right line with
the bedroom, and, when thrown open, covered a loop-hole of a window
Public-domain text, read in full here on John Shaqi.
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