The Englishwoman in Russia : $b impressions of the society and manners of the Russians at homeA lady
History
The Englishwoman in Russia : $b impressions of the society and manners of the Russians at home
A lady
Russia -- Social life and customs -- 1533-1917
Caucasus; he had so starved his miserable regiment, and given such bad
food for the men’s use, that a pestilence broke out among them, and _ils
se mouraient comme des mouches_, as it was said. It took half his fortune
to bribe the authorities to hush the matter up. In fact, from all that
is seen and heard in Russia, one would think that the lower classes are
created expressly to become the prey of the upper, just as we see the
smaller fish serve to support the larger, or to be regarded merely as a
breed of sheep whose fleece the farmer takes whenever he pleases to do
so.
CHAPTER XIV.
Description of churches—A devotee—Saints’ portraits—The
lower class of worshippers—Infant communion—Administering
the sacrament—A funeral—Customs of oriental origin—Tartar
burying-ground—A wake—Prayers for the dead—Horror of death—A
baptism—Authenticity of Christ’s portraits—A procession
in Moscow—Miraculous portrait of the Virgin—Religious
processions—Aquatic procession—Pilgrims—A pilgrimage—The
miraculous image at Jaroslaf—Angelic artists—Monks and money—A
holy tradition—Religious ceremonies—Confession in the Greek
Church—Representation of Christ’s interment—High mass in the
Kazane church.
The Russian churches are much decorated internally; in some, indeed most
of them, the walls are entirely covered with the pictures of saints,
the Virgin and Child, and, the Protestant will be shocked to see, of
the Creator also, who is generally represented under the figure of an
aged man with long white hair and beard, having the triangle or symbol
of the Godhead either in his hand or above his head. He is sometimes
represented as sitting on the clouds, with his foot placed on the earth
or globe; indeed so depicted it appeared to be merely a copy of the
heathen Jupiter or the northern Thor. Sometimes our Saviour and the
Virgin Mary were painted one on either side. The circle of glory round
the brows of the saints is ordinarily of silver gilt, but very often of
pure gold, set with pearls and precious stones. Many of the dresses are
of metal (either gold or silver gilt), and they so entirely cover the
space that only the face and hands of the figures are visible out of
the mass of rich settings of innumerable pearls, rubies, and diamonds.
An anecdote was told us by the head of a judicial department, of a very
devout lady, who was so exceedingly assiduous in repeating prayers, and
in earnestly embracing the portrait of “Our Lady” in the Kazane church,
that the priests began to suspect that so much unction was not purely
spiritual; they therefore set the police to watch, and “sure enough” they
discovered that the devotee had actually succeeded in dislodging some
of the valuable diamonds with her teeth: she was punished by being sent
on a pilgrimage to Siberia. Many of the saints’ portraits are extremely
ancient, and costly as regards the materials of which they are composed,
Public-domain text, read in full here on John Shaqi.
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