The Entire March Family TrilogyHowells, William Dean
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The Entire March Family Trilogy
Howells, William Dean
Fiction; Literature -- Collections
“Well, Mely, child,” Fulkerson went on, with an open travesty of her
mother's habitual address, “and how are you getting along? Mrs. Mandel
hold you up to the proprieties pretty strictly? Well, that's right. You
know you'd be roaming all over the pasture if she didn't.”
The girl gurgled out her pleasure in his funning, and everybody took
him on his own ground of privileged character. He brought them all
together in their friendliness for himself, and before the evening was
over he had inspired Mrs. Mandel to have them served with coffee,
and had made both the girls feel that they had figured brilliantly in
society, and that two young men had been devoted to them.
“Oh, I think he's just as lovely as he can live!” said Mela, as she
stood a moment with her sister on the scene of her triumph, where the
others had left them after the departure of their guests.
“Who?” asked Christine, deeply. As she glanced down at her ring, her
eyes burned with a softened fire.
She had allowed Beaton to change it himself from the finger where she
had worn it to the finger on which he said she ought to wear it. She did
not know whether it was right to let him, but she was glad she had done
it.
“Who? Mr. Fulkerson, goosie-poosie! Not that old stuckup Mr. Beaton of
yours!”
“He is proud,” assented Christine, with a throb of exultation.
Beaton and Fulkerson went to the Elevated station with the Marches; but
the painter said he was going to walk home, and Fulkerson let him go
alone.
“One way is enough for me,” he explained. “When I walk up, I don't walk
down. Bye-bye, my son!” He began talking about Beaton to the Marches
as they climbed the station stairs together. “That fellow puzzles me.
I don't know anybody that I have such a desire to kick, and at the same
time that I want to flatter up so much. Affect you that way?” he asked
of March.
“Well, as far as the kicking goes, yes.”
“And how is it with you, Mrs. March?”
“Oh, I want to flatter him up.”
“No; really? Why? Hold on! I've got the change.”
Fulkerson pushed March away from the ticket-office window; and made
them his guests, with the inexorable American hospitality, for the
ride down-town. “Three!” he said to the ticket-seller; and, when he had
walked them before him out on the platform and dropped his tickets into
the urn, he persisted in his inquiry, “Why?”
“Why, because you always want to flatter conceited people, don't you?”
Mrs. March answered, with a laugh.
“Do you? Yes, I guess you do. You think Beaton is conceited?”
“Well, slightly, Mr. Fulkerson.”
“I guess you're partly right,” said Fulkerson, with a sigh, so
unaccountable in its connection that they all laughed.
“An ideal 'busted'?” March suggested.
“No, not that, exactly,” said Fulkerson. “But I had a notion maybe
Beaton wasn't conceited all the time.”
“Oh!” Mrs. March exulted, “nobody could be so conceited all the time
as Mr. Beaton is most of the time. He must have moments of the direst
modesty, when he'd be quite flattery-proof.”
Public-domain text, read in full here on John Shaqi.
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