The Entire March Family TrilogyHowells, William Dean
General
The Entire March Family Trilogy
Howells, William Dean
Fiction; Literature -- Collections
Beaton lit his pipe when he found himself in his room, and sat down
before the dull fire in his grate to think. It struck him there was
a dull fire in his heart a great deal like it; and he worked out a
fanciful analogy with the coals, still alive, and the ashes creeping
over them, and the dead clay and cinders. He felt sick of himself, sick
of his life and of all his works. He was angry with Fulkerson for having
got him into that art department of his, for having bought him up; and
he was bitter at fate because he had been obliged to use the money to
pay some pressing debts, and had not been able to return the check
his father had sent him. He pitied his poor old father; he ached with
compassion for him; and he set his teeth and snarled with contempt
through them for his own baseness. This was the kind of world it was;
but he washed his hands of it. The fault was in human nature, and he
reflected with pride that he had at least not invented human nature; he
had not sunk so low as that yet. The notion amused him; he thought he
might get a Satanic epigram out of it some way. But in the mean time
that girl, that wild animal, she kept visibly, tangibly before him; if
he put out his hand he might touch hers, he might pass his arm round
her waist. In Paris, in a set he knew there, what an effect she would be
with that look of hers, and that beauty, all out of drawing! They would
recognize the flame quality in her. He imagined a joke about her being
a fiery spirit, or nymph, naiad, whatever, from one of her native
gas-wells. He began to sketch on a bit of paper from the table at his
elbow vague lines that veiled and revealed a level, dismal landscape,
and a vast flame against an empty sky, and a shape out of the flame that
took on a likeness and floated detached from it. The sketch ran up the
left side of the sheet and stretched across it. Beaton laughed out.
Pretty good to let Fulkerson have that for the cover of his first
number! In black and red it would be effective; it would catch the eye
from the news-stands. He made a motion to throw it on the fire, but held
it back and slid it into the table-drawer, and smoked on. He saw the
dummy with the other sketch in the open drawer which he had brought away
from Fulkerson's in the morning and slipped in there, and he took it out
and looked at it. He made some criticisms in line with his pencil on it,
correcting the drawing here and there, and then he respected it a little
more, though he still smiled at the feminine quality--a young lady
quality.
Public-domain text, read in full here on John Shaqi.
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