I felt how dearly this praise had been earned, and already almost repented of having deserved it. There was a sadness in the countenance of Alethe, as I took leave of her, to which the forebodings of my own heart but too faithfully responded; nor could I help fearing, as her hand parted lingeringly from mine, that I had, by this sacrifice, placed her beyond my reach for ever. Having lighted me a lamp, which, in these recesses, even at noon, is necessary, the holy man led me to the entrance of the grotto;—and here, I blush to say, my career of hypocrisy began. With the sole view of obtaining another glance at Alethe, I turned humbly to solicit the benediction of the Christian, and, having conveyed to her, as I bent reverently down, as much of the deep feeling of my soul as looks could express, with a desponding spirit I hurried into the cavern. A short passage led me to the chamber within,—the walls of which I found covered, like those of the grottos of Lycopolis, with paintings, which, though executed long ages ago, looked fresh as if their colours were but laid on yesterday. They were, all of them, representations of rural and domestic scenes; and, in the greater number, the melancholy imagination of the artist had called Death in, as usual, to throw his shadow over the picture. My attention was particularly drawn to one series of subjects, throughout the whole of which the same group—a youth, a maiden, and two aged persons, who appeared to be the father and mother of the girl,—were represented in all the details of their daily life. The looks and attitudes of the young people denoted that they were lovers; and, sometimes, they were seen sitting under a canopy of flowers, with their eyes fixed on each other’s faces, as though they could never look away; sometimes, they appeared walking along the banks of the Nile, ——on one of those sweet nights When Isis, the pure star of lovers, lights Her bridal crescent o’er the holy stream,— When wandering youths and maidens watch her beam, And number o’er the nights she hath to run, Ere she again embrace her bridegroom sun. Through all these scenes of endearment the two elder persons stood by;—their calm countenances touched with a share of that bliss, in whose perfect light the young lovers were basking. Thus far, all was happiness,—but the sad lesson of mortality was to come. In the last picture of the series, one of the figures was missing. It was that of the young maiden, who had disappeared from among them. On the brink of a dark lake stood the three who remained; while a boat, just departing for the City of the Dead, told too plainly the end of their dream of happiness. This memorial of a sorrow of other times—of a sorrow, ancient as death itself,—was not wanting to deepen the melancholy of my mind, or to add to the weight of the many bodings that pressed on it.