The dancing fit itself was excited here, as it probably was in other places, by music, from the effects of which, the patients were thrown into a state of convulsion[242]. Many concurrent testimonies serve to show that music generally contributed much to the continuance of the St. Vitus’s dance, originated, and increased its paroxysms, and was sometimes the cause of their mitigation. So early as the fourteenth century, the swarms of St. John’s dancers were accompanied by minstrels playing upon noisy instruments, who roused their morbid feelings; and it may readily be supposed that, by the performance of lively melodies, and the stimulating effects which the shrill tones of fifes and trumpets would produce, a paroxysm, that was perhaps but slight in itself, might, in many cases, be increased to the most outrageous fury, such as in later times, was purposely induced in order that the force of the disease might be exhausted by the violence of its attack. Moreover, by means of intoxicating music a kind of demoniacal festival for the rude multitude was established, which had the effect of spreading this unhappy malady wider and wider. Soft harmony was, however, employed to calm the excitement of those affected, and it is mentioned as a character of the tunes played with this view to the St. Vitus’s dancers, that they contained transitions from a quick to a slow measure, and passed gradually from a high to a low key[243]. It is to be regretted that no trace of this music has reached our times, which is owing partly to the disastrous events of the seventeenth century, and partly to the circumstance that the disorder was looked upon as entirely national, and only incidentally considered worthy of notice by foreign men of learning. If the St. Vitus’s dance was already on the decline at the commencement of the seventeenth century, the subsequent events were altogether adverse to its continuance. Wars carried on with animosity and with various success for thirty years, shook the west of Europe; and although the unspeakable calamities which they brought upon Germany, both during their continuance, and in their immediate consequences, were by no means favourable to the advance of knowledge, yet, with the vehemence of a purifying fire, they gradually effected the intellectual regeneration of the Germans; superstition, in her ancient form, never again appeared, and the belief in the dominion of spirits, which prevailed in the middle ages, lost for ever its once formidable power. CHAPTER II. DANCING MANIA IN ITALY. SECT. 1.—TARANTISM.