Erotic literature -- History and criticism; Psychoanalysis and literature; Sex in literature
Professor Frederic Tupper in his scholarly work _The Riddles of
the Exeter Book_ says: "By far the most numerous of all riddles
of lapsing or varying solutions are those distinctly popular and
unrefined problems whose sole excuse for being (or lack of excuse)
lies in double meaning and coarse suggestion, and the reason for this
uncertainty of answer is at once apparent. The formally stated solution
is so overshadowed by the obscene subject implicitly presented in
each limited motive of the riddle, that little attention is paid to
the aptness of this. It is after all only a pretence, not the chief
concern of the jest." He quotes from another scholar, Wossidlo, a
number of other objects than those suggested in the Exeter Book, which
in other riddle books were invested with sexual symbolism. These are
spinning wheel, kettle and pike, yarn and weaver, frying-pan and hare,
soot-pole, butcher, bosom, fish on the hook, trunk-key, beer-keg,
stocking, mower in grass, butter-cask and bread-scoop.
Freud is apparently correct when he stated that familiar objects of our
day like umbrellas and machinery are given a sexual significance by our
dreams unconsciously.
That man early expressed his interest in love in symbolical terms is
conceded by most anthropologists and philologists. They have traced the
origins of many of our customs and institutions, our words and figures
of rhetoric, to the veiled eroticism of former times. In our speech are
many terms which now have a distinct sexual significance, though they
originally had a symbolic one. The word for seed in Hebrew is zera, the
Latin word is semen (from sero, to sow). Both words are also used for
spermatozoa. Man formerly sought analogies just as he does to-day; he
often feared to violate a taboo, or aimed at a delicacy of expression.
He saw the life producing principle at work everywhere, and he found
symbols for it in the phenomena of nature, in the sun, moon, water,
forest, garden, field, trees, roses; in animals like the serpent, the
horse, the bull, the fish, the goat, the dove; in implements like the
arrow, the sword, the plough. Common objects assumed for him suggestive
meanings. He saw a means of coining new expressions for generative acts
and objects; he found associations when he used the fire-drill drilling
in the hollow of the wood, or when he threw wood upon the fire. In
later time he coined new symbolical terms suggested by such acts of
his as stuffing a cork in a bottle, or putting bread in the oven, or
inserting a key in the lock.
Man speaks in symbolic language especially when it comes to sex
matters. This symbolism appears hence in his dreams and his literature.
The language of the unconscious is symbolic, and literature is often
expressing the author's unconscious in symbolic terms without his being
aware of this.
Public-domain text, read in full here on John Shaqi.
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