Erotic literature -- History and criticism; Psychoanalysis and literature; Sex in literature
Roger himself, however, is the real type of sufferer from morbid
fear. He has inherited a peculiar disposition, and no doubt suffered
from repressions, though nothing is said about this. He attributes
his disease largely to anxiety about his sick sister, Lady Madeline.
But the cause is in his unconscious. Those who are acquainted with
the theories of psychoanalysis and the life of Poe will feel that
Roger, like Poe, must have lost a mother early, then the mother of a
friend, then his foster-mother. He also, like Poe, was no doubt thrice
disappointed in love, and probably also drank. His symptoms were such
as afflict neurotics. He was in constant terror and felt that he must
die soon in some struggle with fear; he dreaded the future. He read
strange books and imagined queer things. His sister died, and, with the
aid of the narrator of the story, was buried in a vault in the house.
He soon entertained fancies that he had buried her alive, and he was
in mortal fear that she would wreak vengeance on him. When the teller
of the story read to Roger some pages of a romance, Roger interpreted
various unrelated actions described there as a rending of her coffin
and the grating of iron hinges on her prison. He imagined she stood
outside, and then that he was being crushed to death by her. And he
died in fear. The vision of his sister was imaginary with him and the
narrator as well, for Lady Madeline could not have escaped from the
screwed down coffin and the vault, and having lain many days without
food, would not have had strength to crush her brother to death. Usher
died because of morbid fear.
Poe was a good delineator of the neuroses. Here we have a picture
of his own life and know that he must have experienced some sort of
anxiety, as the tale is so true to life. He was only thirty when the
story was published, and the main character here, as in _Berenice_ and
the _Assignation_, is a neurotic. Behind it all one sees the mourner
for the lost Lenore, the orphan, the victim of love through Stella
Royster, Elizabeth Herring and Mary Devereaux.
Public-domain text, read in full here on John Shaqi.
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