Erotic literature -- History and criticism; Psychoanalysis and literature; Sex in literature
We here may consider the effects of infantile sexual investigation.
Freud says its activity labours with the desire for looking, though
it cannot be added to the elementary components of the impulses. Many
readers may refuse to follow Freud here, where he concludes that
the great desire for knowledge in later life may be traced to this
infantile sexual curiosity. But that there must be some connection
cannot be doubted. A child who has never displayed any curiosity as to
where it came from must be one in whom the desire for knowledge has
not been and probably never will be strongly developed. The child is
the father of the student man. Freud asserts in his study of Leonardo
da Vinci that there are three sublimations in later life of this
curiosity, the most important and rarest being where a pure scientific
investigation replaces the sexual activity and is not occupied with
sexual themes. Thus he explains the scientific work of Leonardo and his
chaste life.
III
Let us now take up the other two partial impulses, sadism and
masochism, noted by Freud, and see their effect on the literary work of
a man in later life.
"The repression of the sadistic impulse," says Dr. Brink, "produces
not its annihilation but merely its transfer from consciousness to
unconsciousness. And there, withheld from the neutralising influence
of conscious reasoning, the impulse and the phantasies derived from
it are not only preserved without deterioration but may even grow in
vigour and intensity. Thus, despite the fact that in many instances the
individual's conscious life is apparently singularly irreproachable,
nevertheless this life is lived coincidently with an undercurrent of
impulses of anger, hate, hostility and revenge and their corresponding
phantasies" (_Morbid Fears_, page 291).
This would account for the tales of horror we find in Poe, Kipling
and Jack London. To-day we do not always assault or kill our enemies.
Literary men do so by depicting scenes in literature where this is
done. Jack London describes fist fights in which he is always defeating
his enemies. It is said that in real life he boasted of his abilities
as a fighter.
Pfister, in his _Psychoanalytic Method_, formulates a law from an
earlier work of his, as follows: "The repressed hate of certain
individuals forms phantasies out of suitable contents of experiences,
either actual or imaginary, according to the laws of the dream-work,
by which procedure it creates for itself imaginary gratification.
This gratification of complex comes about through the mechanism of a
disguised wish, directed towards the injury of the hated person, being
represented in the content of the waking dream as realised."
Public-domain text, read in full here on John Shaqi.
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