For ten minutes or so Devore, cursing softly to himself, cut and chopped and gutted his way through the major's introduction, and between slashing strokes made a war map of the Balkans in his scalp with his blue pencil. Then he lost patience altogether. "Here," he said to me, "you're not doing anything, are you? Well, take this awful bunch of mushy slush and read it through, and then try to make a decent half-column story out of it. And rush it over a page at a time, will you? We've got to hustle to catch the three o'clock edition with it." Long before three o'clock the major was back in the shop, waiting for the first run of papers to come off the press. Furtively I watched him as he hunted through the sticky pages to find his first story. I guess he had the budding pride of authorship in him, just as all the rest of us have it in us. But he didn't find his story, he found mine. He didn't say anything, but he looked crushed and forlorn as he got up and went away. It was like him not to ask for any explanations, and it was like Devore not to offer him any. So it went. Even if he had grown up in the business I doubt whether Major Putnam Stone would ever have made a newspaper man; and now he was too far along in life to pick up even the rudiments of the trade. He didn't have any more idea of news values than a rabbit. He had the most amazing faculty for overlooking what was vital in the news, but he could always be depended upon to pick out some trivial and inconsequential detail and dress it up with about half a yard of old-point lace adjectives. He never by any chance used a short word if he could dig up a long, hard one, and he never seemed to be able to start a story without a quotation from one of the poets. It never was a modern poet either. Excepting for Sidney Lanier and Father Ryan, apparently he hadn't heard of any poet worth while since Edgar Allan Poe died. And everything that happened seemed to remind him--at great length--of something else that had happened between 1861 and 1865. When it came to lugging the Civil War into a tale, he was as bad as that character in one of Dickens' novels who couldn't keep the head of King Charles the First out of his literary productions. With that reared-back, flat-heeled, stiff-spined gait of his, he would go rummaging round the hotels and the Shawnee Club, meeting all sorts of people and hearing all sorts of things that a real reporter would have snatched at like a hungry dog snatching at a T-bone, and then he would remember that it was the fortieth anniversary of the Battle of Kenesaw Mountain, or something, and, forgetting everything else, would come bulging and bustling back to the office, all worked up over the prospect of writing two or three columns about that. He just simply couldn't get the viewpoint; yet I think he tried hard enough. I guess the man who said you couldn't teach an old dog new tricks had particular reference to an old war dog.