THE characters of men, as well as the contrivances of art, or the
institutions of civil government, may be fitted either to promote or
to disturb the happiness both of the individual and of the society.
The prudent, the equitable, the active, resolute, and sober character
promises prosperity and satisfaction, both to the person himself and
to every one connected with him. The rash, the insolent, the slothful,
effeminate, and voluptuous, on the contrary, forebodes ruin to the
individual, and misfortune to all who have any thing to do with him.
The first turn of mind has at least all the beauty which can belong to
the most perfect machine that was ever invented for promoting the most
agreeable purpose: and the second, all the deformity of the most
awkward and clumsy contrivance. What institution of government could
tend so much to promote the happiness of mankind as the general
prevalence of wisdom and virtue? All government is but an imperfect
remedy for the deficiency of these. Whatever beauty, therefore, can
belong to civil government upon account of its utility, must in a far
superior degree belong to these. On the contrary, what civil policy
can be so ruinous and destructive as the vices of men? The fatal
effects of bad government arise from nothing, but that it does not
{166} sufficiently guard against the mischiefs which human wickedness
so often gives occasion to.
This beauty and deformity which characters appear to derive from their
usefulness or inconveniency, are apt to strike, in a peculiar manner,
those who consider, in an abstract and philosophical light, the
actions and conduct of mankind. When a philosopher goes to examine why
humanity is approved of, or cruelty condemned, he does not always form
to himself, in a very clear and distinct manner, the conception of any
one particular action either of cruelty or of humanity, but is
commonly contented with the vague and indeterminate idea which the
general names of those qualities suggest to him. But it is in
particular instances only that the propriety or impropriety, the merit
or demerit of actions is very obvious and discernible. It is only when
particular examples are given that we perceive distinctly either the
concord or disagreement between our two affections and those of the
agent, or feel a social gratitude arise towards him in the one case,
or a sympathetic resentment in the other. When we consider virtue and
vice in an abstract and general manner, the qualities by which they
excite these several sentiments seem in a great measure to disappear,
and the sentiments themselves become less obvious and discernible. On
the contrary, the happy effects of the one and the fatal consequences
of the other seem then to rise up to the view, and as it were to stand
out and distinguish themselves from all the other qualities of either.
Public-domain text, read in full here on John Shaqi.
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