When a savage is made prisoner of war, and receives, as is
usual, the sentence of death from his conquerors, he hears it without
expressing any emotion, and afterwards submits to the most dreadful
torments, without ever bemoaning himself, or discovering any other
passion but contempt of his enemies. While he is hung by the shoulders
over a slow fire, he derides his tormentors, and tells them with how
much more ingenuity he himself had tormented such of their countrymen
as had fallen into his hands. After he has been scorched and burnt,
and lacerated in all the most tender and sensible parts of his body
for several hours together, he is often allowed, in order to prolong
his misery, a short respite, and is taken down from the stake: he
employs this interval in talking upon all indifferent subjects,
inquires after the news of the country, and seems indifferent about
nothing but his own situation. The spectators express the same
insensibility; the sight of so horrible an object seems to make no
impression upon them; they scarce look at the prisoner, except when
they lend a hand to torment him. At other times they smoke tobacco,
and amuse themselves {183} with any common object, as if no such
matter was going on. Every savage is said to prepare himself from his
earliest youth for this dreadful end. He composes, for this purpose,
what they call the song of death, a song which he is to sing when he
has fallen into the hands of his enemies, and is expiring under the
tortures which they inflict upon him. It consists of insults upon his
tormentors, and expresses the highest contempt of death and pain. He
sings this song upon all extraordinary occasions, when he goes out to
war, when he meets his enemies in the field, or whenever he has a mind
to show that he has familiarised his imagination to the most dreadful
misfortunes, and that no human event can daunt his resolution or alter
his purpose. The same contempt of death and torture prevails among all
other savage nations. There is not a negro from the coast of Africa,
who does not in this respect, possess a degree of magnanimity which
the soul of his sordid master is too often scarce capable of
conceiving. Fortune never exerted more cruelly her empire over
mankind, than when she subjected those nations of heroes to the refuse
of the jails of Europe, to wretches who possess the virtues neither of
the countries which they come from, nor of those which they go to, and
whose levity, brutality, and baseness, expose them to the contempt of
the vanquished.
Public-domain text, read in full here on John Shaqi.
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