In these later years, and not before, a man comes to a true appreciation of Horace's maxim: _Nil admirari._ He is directly and sincerely convinced of the vanity of everything and that all the glories of the world are as nothing: his illusions are gone. He is no more beset with the idea that there is any particular amount of happiness anywhere, in the palace or in the cottage, any more than he himself enjoys when he is free from bodily or mental pain. The worldly distinctions of great and small, high and low, exist for him no longer; and in this blissful state of mind the old man may look down with a smile upon all false notions. He is completely undeceived, and knows that whatever may be done to adorn human life and deck it out in finery, its paltry character will soon show through the glitter of its surroundings; and that, paint and be jewel it as one may, it remains everywhere much the same,--an existence which has no true value except in freedom from pain, and is never to be estimated by the presence of pleasure, let alone, then, of display.[1] [Footnote 1: Cf. Horace, _Epist_. I. 12, I-4.] Disillusion is the chief characteristic of old age; for by that time the fictions are gone which gave life its charm and spurred on the mind to activity; the splendors of the world have been proved null and vain; its pomp, grandeur and magnificence are faded. A man has then found out that behind most of the things he wants, and most of the pleasures he longs for, there is very little after all; and so he comes by degrees to see that our existence is all empty and void. It is only when he is seventy years old that he quite understands the first words of the Preacher; and this again explains why it is that old men are sometimes fretful and morose.