The Essays of Douglas JerroldJerrold, Douglas William
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The Essays of Douglas Jerrold
Jerrold, Douglas William
English essays -- 19th century
THE OLD MAN AT THE GATE
IN Surrey, some three miles from Chertsey, is a quiet, dull, sequestered
nook, called Shepperton Green. Whether the new philanthropy of new
pauper laws hath, of late years, sought out the spot I know not. At the
time whereof I write, the olden charity dwelt in an old workhouse—a
primitive abiding-place for the broken ploughman, the palsied shepherd,
the old, old peasant, for whom nothing more remained in this world but
to die. The governor of this abode of benevolence dwelt in the lower
part of the building, and therein, as the village trade might fluctuate,
made or mended shoes. Let the plain truth be said—the governor was a
cobbler. Within a stone’s cast of the workhouse was a little white gate
swung between two hedge-banks in the road to Chertsey. Here, pass when
you would, stood an old man, whose self-imposed office it was to open
the gate; for the which service the passenger would drop some small
benevolence in the withered hand of the aged peasant. This man was a
pauper—one of the almsmen of the village workhouse.
There was a custom—whether established by the governor aforesaid or by
predecessors of a vanished century, I know not—that made it the
privilege of the oldest pauper to stand the porter at the gate; his
perquisite, by right of years, the halfpence of the rare pedestrian. As
the senior died, the living senior succeeded to the office. Now the
gate—and now the grave.
And this is all the history? All. The story is told—it will not bear
another syllable. The “Old Man” is at the gate; the custom which places
him there has been made known, and with it ends the narrative.
How few the incidents of life—how multitudinous its emotions! How flat,
monotonous may be the circumstance of daily existence, and yet how
various the thoughts which spring from it! Look at yonder landscape,
broken into hill and dale, with trees of every hue and form, and water
winding in silver threads through velvet fields. How beautiful—for how
various! Cast your eye over that moor; it is flat and desolate—barren as
barren rock. Not so. Seek the soil, and then, with nearer gaze,
contemplate the wondrous forms and colours of the thousand mosses
growing there; give ear to the hum of busy life sounding at every root
of poorest grass. Listen! Does not the heart of the earth beat audibly
beneath this seeming barrenness—audibly as where the corn grows and the
grape ripens? Is it not so with the veriest rich and the veriest
poor—with the most active and with apparently the most inert?
Public-domain text, read in full here on John Shaqi.
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