The Essays of Douglas JerroldJerrold, Douglas William
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The Essays of Douglas Jerrold
Jerrold, Douglas William
English essays -- 19th century
I say English, for I think we have had too long a peace to render the
assumption of a foreign title and a foreign accent worth the trouble,
the incessant watchfulness, the continual stretch of a man’s intellects:
the call upon his faculties to keep up the character should be well
rewarded, for the hazard of self-discovery is very great. I know a
remarkable instance of the danger. There was Thaddeus Ballynamuck—he
once, with merely a backward touch of his hand, broke the jaw of the
manager of a minor theatre who dared to offer him terms to bring him out
as a Patagonian giant—there was Thaddeus, who had made a splendid six
weeks’ campaign at the West-end as an Italian count; how admirably did
he with the _lingua Toscana_ flavour his native Connaught! The Duke of
Tuscany was his dear friend; and not without reason; for Thaddeus at a
boar hunt had stood between the boar and the duke, receiving the tusks
of the beast in his hunting jacket, for the which he had obtained a
great many Italian orders, and on the strength of which he gave a great
many English ones. Well, Thaddeus, though considered as true an Italian
as the poet Asso,[17] was one morning driven to the necessity of shaving
himself, changing his southern name, and retiring for a few weeks to the
privacy of Southend. He was betrayed into self-discovery by an excess of
benevolence—the more was the pity. Thus it was. He always carried in his
cab a beautiful dove-coloured Italian greyhound, its legs not much
thicker than goose quills, and its tail like bent wire—the gift of the
Marchesa di Lungabarba. The dog had leaped from the cab and followed its
master into the office of Finings, the wine merchant. Thaddeus had
before very considerably patronised Finings, and was about to give him a
splendid order for some choice port to be shipped to his friend the
duke—and how the eyes of Finings twinkled at the title of his
highness!—when the cellarman, a brawny, heavy fellow from Somerset,
shambled into the office and trod, with all his fourteen stone, upon the
delicate toes of Angelo the greyhound: the dog howled with agony
piercing enough to crack the parchment heart of an old maid, when the
Captain—he was, at the moment, with the greatest difficulty endeavouring
to make himself understood to the wine merchant—turned round, and, to
the astonishment of Finings, fulminating a string of oaths in the very
purest Connaught, dealt a blow on the breast of the cellarman that sent
him prostrate on three dozen of choice brandy—picked samples for the
dowager Lady Drinkwater—to their utter destruction, and to the exceeding
surprise of the wine merchant, who had never in all his life heard an
Italian count vituperate such beautiful, such unadulterate Irish. I will
not continue the story: Thaddeus Ballynamuck, though an admirable
artist, fell a victim to the exuberance of his feelings; as a swindler
he was professionally killed by Angelo, the late Marchesa di
Lungabarba’s greyhound.
Footnote 17:
Public-domain text, read in full here on John Shaqi.
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