The Essays of "George Eliot": CompleteEliot, George
History
The Essays of "George Eliot": Complete
Eliot, George
Literature -- History and criticism
In the same way very ordinary events of civilized life are exalted into
the most awful crises, and ladies in full skirts and _manches à la
Chinoise_, conduct themselves not unlike the heroines of sanguinary
melodramas. Mrs. Percy, a shallow woman of the world, wishes her son
Horace to marry the auburn-haired Grace, she being an heiress; but he,
after the manner of sons, falls in love with the raven-haired Kate, the
heiress’s portionless cousin; and, moreover, Grace herself shows every
symptom of perfect indifference to Horace. In such cases sons are often
sulky or fiery, mothers are alternately manœuvring and waspish, and the
portionless young lady often lies awake at night and cries a good deal.
We are getting used to these things now, just as we are used to eclipses
of the moon, which no longer set us howling and beating tin kettles. We
never heard of a lady in a fashionable “front” behaving like Mrs. Percy
under these circumstances. Happening one day to see Horace talking to
Grace at a window, without in the least knowing what they are talking
about, or having the least reason to believe that Grace, who is mistress
of the house and a person of dignity, would accept her son if he were to
offer himself, she suddenly rushes up to them and clasps them both,
saying, “with a flushed countenance and in an excited manner”—“This is
indeed happiness; for, may I not call you so, Grace?—my Grace—my Horace’s
Grace!—my dear children!” Her son tells her she is mistaken, and that he
is engaged to Kate, whereupon we have the following scene and tableau:
“Gathering herself up to an unprecedented height (!) her eyes
lightening forth the fire of her anger:
“‘Wretched boy!’ she said, hoarsely and scornfully, and clenching her
hand, ‘Take then the doom of your own choice! Bow down your
miserable head and let a mother’s—’
“‘Curse not!’ spake a deep low voice from behind, and Mrs. Percy
started, scared, as though she had seen a heavenly visitant appear,
to break upon her in the midst of her sin.
“Meantime Horace had fallen on his knees, at her feet, and hid his
face in his hands.
“Who then, is she—who! Truly his ‘guardian spirit’ hath stepped
between him and the fearful words, which, however unmerited, must
have hung as a pall over his future existence;—a spell which could
not be unbound—which could not be unsaid.
“Of an earthly paleness, but calm with the still, iron-bound calmness
of death—the only calm one there—Katherine stood; and her words smote
on the ear in tones whose appallingly slow and separate intonation
rung on the heart like a chill, isolated tolling of some fatal knell.
Public-domain text, read in full here on John Shaqi.
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