The Essays of "George Eliot": CompleteEliot, George
History
The Essays of "George Eliot": Complete
Eliot, George
Literature -- History and criticism
The fisherman who yesterday took me over to the little
sand island, which is the bathing-place here, said to me smilingly,
‘The poor people have won!’ Yes; instinctively the people comprehend
such events, perhaps, better than we, with all our means of
knowledge. Thus Frau von Varnhagen once told me that when the issue
of the Battle of Leipzig was not yet known, the maid-servant suddenly
rushed into the room with the sorrowful cry, ‘The nobles have won!’ .
. . This morning another packet of newspapers is come, I devour them
like manna. Child that I am, affecting details touch me yet more
than the momentous whole. Oh, if I could but see the dog Medor. . .
. The dog Medor brought his master his gun and cartridge-box, and
when his master fell, and was buried with his fellow-heroes in the
Court of the Louvre, there stayed the poor dog like a monument of
faithfulness, sitting motionless on the grave, day and night, eating
but little of the food that was offered him—burying the greater part
of it in the earth, perhaps as nourishment for his buried master!”
The enthusiasm which was kept thus at boiling heat by imagination, cooled
down rapidly when brought into contact with reality. In the same book he
indicates, in his caustic way, the commencement of that change in his
political _temperature_—for it cannot be called a change in opinion—which
has drawn down on him immense vituperation from some of the patriotic
party, but which seems to have resulted simply from the essential
antagonism between keen wit and fanaticism.
“On the very first days of my arrival in Paris I observed that things
wore, in reality, quite different colors from those which had been
shed on them, when in perspective, by the light of my enthusiasm.
The silver locks which I saw fluttering so majestically on the
shoulders of Lafayette, the hero of two worlds, were metamorphosed
into a brown perruque, which made a pitiable covering for a narrow
skull. And even the dog Medor, which I visited in the Court of the
Louvre, and which, encamped under tricolored flags and trophies, very
quietly allowed himself to be fed—he was not at all the right dog,
but quite an ordinary brute, who assumed to himself merits not his
own, as often happens with the French; and, like many others, he made
a profit out of the glory of the Revolution. . . . He was pampered
and patronized, perhaps promoted to the highest posts, while the true
Medor, some days after the battle, modestly slunk out of sight, like
the true people who created the Revolution.”
That it was not merely interest in French politics which sent Heine to
Paris in 1831, but also a perception that German air was not friendly to
sympathizers in July revolutions, is humorously intimated in the
“Geständnisse.”
Public-domain text, read in full here on John Shaqi.
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