The Essays or Counsels, Civil and MoralBacon, Francis
Philosophy
The Essays or Counsels, Civil and Moral
Bacon, Francis
English essays -- Early modern, 1500-1700
intoxicateth; and age doth profit rather in the powers of understanding,
than in the virtues of the will and affections. There be some, have an
over-early ripeness in their years, which fadeth betimes. These are,
first, such as have brittle wits, the edge whereof is soon turned; such
as was Hermogenes the rhetorician, whose books are exceeding subtle;
who afterwards waxed stupid. A second sort, is of those that have some
natural dispositions which have better grace in youth, than in age; such
as is a fluent and luxuriant speech; which becomes youth well, but not
age: so Tully saith of Hortensius, Idem manebat, neque idem decebat.
The third is of such, as take too high a strain at the first, and
are magnanimous, more than tract of years can uphold. As was Scipio
Africanus, of whom Livy saith in effect, Ultima primis cedebant.
Of Beauty
VIRTUE is like a rich stone, best plain set; and surely virtue is best,
in a body that is comely, though not of delicate features; and that hath
rather dignity of presence, than beauty of aspect. Neither is it almost
seen, that very beautiful persons are otherwise of great virtue; as
if nature were rather busy, not to err, than in labor to produce
excellency. And therefore they prove accomplished, but not of great
spirit; and study rather behavior, than virtue. But this holds not
always: for Augustus Caesar, Titus Vespasianus, Philip le Belle of
France, Edward the Fourth of England, Alcibiades of Athens, Ismael
the Sophy of Persia, were all high and great spirits; and yet the most
beautiful men of their times. In beauty, that of favor, is more than
that of color; and that of decent and gracious motion, more than that of
favor. That is the best part of beauty, which a picture cannot express;
no, nor the first sight of the life. There is no excellent beauty, that
hath not some strangeness in the proportion. A man cannot tell whether
Apelles, or Albert Durer, were the more trifler; whereof the one, would
make a personage by geometrical proportions; the other, by taking the
best parts out of divers faces, to make one excellent. Such personages,
I think, would please nobody, but the painter that made them. Not but I
think a painter may make a better face than ever was; but he must do
it by a kind of felicity (as a musician that maketh an excellent air in
music), and not by rule. A man shall see faces, that if you examine them
part by part, you shall find never a good; and yet altogether do well.
If it be true that the principal part of beauty is in decent motion,
certainly it is no marvel, though persons in years seem many times more
amiable; pulchrorum autumnus pulcher; for no youth can be comely but by
pardon, and considering the youth, as to make up the comeliness. Beauty
is as summer fruits, which are easy to corrupt, and cannot last; and
for the most part it makes a dissolute youth, and an age a little out of
countenance; but yet certainly again, if it light well, it maketh virtue
shine, and vices blush.
Public-domain text, read in full here on John Shaqi.
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