“The world is so charged with the grandeur of God It must shine out, like shining from shook foil.” In such hours, he would say, we perceive through matter the inhabiting _Psyche_, and by it reach out to communion with _Nous_, for “this is how the material becomes beautiful; by participating in the thought which flows from the Divine” (I. 6. 2). He would have understood Blake’s claim to see the universe as “a world of imagination and vision,” and accepted Erigena’s great saying, “every visible and invisible creature is a theophany or appearance of God.” Thus the whole mystic ascent can be conceived as a movement through visible beauty to its invisible source, and thence to “the inaccessible Beauty, dwelling as if in consecrated precincts apart from the common ways” (I. 6. 8). Yet this progress is not so much a change in our consciousness of the world and of ourselves, as a shifting of the centre of our being from sense to soul, from soul to spirit, whereby we come actually to live at new levels of existence. “For all there are two stages of the path, according to whether they are ascending or have already gained the upper sphere. The first stage is conversion from the lower life: the second—taken by those who have already reached the Spiritual sphere, as it were set a footprint there, but must still advance within that realm—lasts till they reach its extreme summit, the term attained When the topmost peak of the Spiritual realm is won” (I. 3. 1). The process is both intellectual and moral, since its goal is the absolute Truth and Beauty no less than the absolute Good. “Each must become God-like and beautiful who cares to see God and Beauty” (I. 6. 9). It involves deliberate effort and drastic purification of mind and heart, “cutting away all that is excessive, straightening all that is crooked, bringing light to all that is in shadow, labouring to make all one glow of beauty” (I. 6. 9). As “all knowing comes by likeness” (I. 8. 1), we must ourselves have moral beauty if we would see the “Beauty There.” But whether this way be conceived under æsthetic or ascetic symbols, Plotinus is at one with all the mystics in declaring that the driving force which urges the soul along the pathway to reality is love. This inspires its labour, supports its stern purifications, “detaches it from the body and lifts it to the Intelligible World” (III. 6. 5), and gives it at last “the only eye that sees the mighty Beauty” (I. 6. 9). Love means for him active desire; “the longing for conjunction and rest.” All shades of spiritual and poetic passion, the graded meanings of admiration, enthusiasm, and worship, are included in it. It is “the true magic of the universe”; an attribute of _Nous_, and an earnest of real life. “The fullest life is the fullest love, and the love comes from the celestial light which streams forth from the Absolute One” (VI. 7. 23). It is true that the impersonal nature of the Neo-platonic One