The Ethics of Drink and Other Social Questions; Or, Joints In Our Social ArmourRunciman, James
Philosophy
The Ethics of Drink and Other Social Questions; Or, Joints In Our Social Armour
Runciman, James
Alcoholism -- Great Britain; Social problems; Temperance
flowery regions of peace.
Your muscles tighten rarely as you stump on over the elastic herbage;
two miles an hour is quite enough for your modest desires, especially as
you know you can quicken to four or five whenever you choose. As the day
wears on, the glorious open-air confusion takes possession of your
senses, your pulses beat with spirit, and you pass amid floating visions
of keen colour, soft greenery, comforting shades. The corn rustles on
the margin where the sandy soil ceases; the sleepy farmhouses seem to
'give you a lazy greeting, and the figures of the labourers are like
natural features of the landscape. Everything appears friendly; it may
be that the feeling of kindness and security arises from your physical
well-being, but it is there all the same, and what can you do more than
enjoy? Perhaps in the midst of your confused happiness your mind begins
acting on its own account, and quite disregards its humble companion,
the body. Xavier de Maistre's mind always did so, and left what Xavier
called the poor _bête_ of a carcass to take care of itself; and all of
us have to experience this double existence at times. Then you find the
advantages of knowing a great deal of poetry. I would not give a rush
for a man who merely pores over his poets in order to make notes or
comments on them; you ought to have them as beloved companions to be
near you night and day, to take up the parable when your own independent
thought is hazy with delight or even with sorrow. As you tramp along the
whistling stretches amid the blaze of the ragworts and the tender
passing glances of the wild veronica, you can take in all their
loveliness with the eye, while the brain goes on adding to your pleasure
by recalling the music of the poets. Perhaps you fall into step with the
quiver and beat of our British Homer's rushing rhymes, and Marmion
thunders over the brown hills of the Border, or Clara lingers where
mingles war's rattle with groans of the dying. Perhaps the wilful brain
persists in crooning over the "Belle Dame Sans Merci;" your mood
flutters and changes with every minute, and you derive equal
satisfaction from the organ-roll of Milton or the silvery flageolet
tones of Thomas Moore. If culture consists in learning the grammar an
etymologies of a poet's song, then no cultured man will ever get any
pleasure from poetry while he is on a walking tour; but, if you absorb
your poets into your being, you have spells of rare and unexpected
delight.
Public-domain text, read in full here on John Shaqi.
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