The preposition too is a word expressing relationships, but this
definition gives only a faint idea of its great resources. When the false
rules about the preposition have been set aside, it is seen that this
is a tremendously inventive word. Like the adverb, it is a free rover,
standing almost anywhere; it is constantly entering into combinations
with verbs and nouns, in which it may direct, qualify, intensify, or even
add something quite new to the meaning; at other times it combines with
some other preposition to produce an indispensable idiom. It has given us
“get out,” “put over,” “come across,” “eat up,” “butt in,” “off of,” “in
between,” and many other expressions without which English, especially
on the vital colloquial level, would be poorer indeed. Thornton Wilder
maintains that it is in this extremely free use of the preposition that
modern American English shows its superiority over British English.
Such bold use of prepositional combinations gives to American English
a certain flavor of the grand style, which British English has not had
since the seventeenth century. Melville, an author working peculiarly
on his own, is characterized in style by this imaginative use of the
preposition.
Considered with reference to principle, the preposition seems to do
what the adverb does, but to do it with a kind of substantive force.
“Groundward,” for example, seems weak beside “toward the ground,”
“lengthwise” beside “along the length of,” or “centrally” beside “in
the center of.” The explanation may well lie in the preposition’s
characteristic position; as a regular orderer of nouns and of verbs, it
takes upon itself something of their solidity of meaning. “What is that
for?” and “Where did you send it to?” lose none of their force through
being terminated by these brief words of relationship.
_The Phrase_
It will not be necessary to say much about the phrase because its
possibilities have been fairly well covered by our discussion of the noun
and adjective. One qualifying remark about the force of the prepositional
phrase, however, deserves making. The strength normally found in the
preposition can be greatly diminished by connection with an abstract
noun. That is to say, when the terminus of the preposition is lacking in
vigor or concreteness, the whole expression may succumb to vagueness,
in which cases the single adjective or adverb will be stronger by
comparison. Thus the idea conveyed by “lazy” is largely frustrated by “of
a lazy disposition”; that of “mercenary” by “of a mercenary character”;
that of “deep” by “of depth,” and so on.
Public-domain text, read in full here on John Shaqi.
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