L. (seeing objections begin to express themselves in the eyes).
Now you needn't say you can't; for you can, and it's what you were
meant to do, always; and to dress your houses, and your gardens,
too; and to do very little else, I believe, except singing; and
dancing, as we said, of course and--one thing more.
DORA. Our third and last virtue, I suppose?
L. Yes; on Violet's system of triplicities.
DORA. Well, we are prepared for anything now. What is it?
L. Cooking.
DORA. Cardinal, indeed! If only Beatrice were here with her seven
handmaids, that she might see what a fine eighth we had found for
her!
MARY. And the interpretation? What does "cooking" mean?
L. It means the knowledge of Medea, and of Circe, and of Calypso,
and of Helen, and of Rebekah, and of the Queen of Sheba. It means
the knowledge of all herbs, and fruits, and balms, and spices; and
of all that is healing and sweet in fields and groves, and savory
in meats, it means carefulness, and inventiveness, and
watchfulness, and willingness, and readiness of appliance, it
means the economy of your great-grandmothers, and the science of
modern chemists; it means much tasting, and no wasting, it means
English thoroughness, and French art, and Arabian hospitality, and
it means, in fine, that you are to be perfectly and always
"ladies"--"loaf-givers;" and, as you are to see, imperatively,
that everybody has something pretty to put on,--so you are to see,
yet more imperatively, that everybody has something nice to eat.
(Another pause, and long drawn breath.)
DORA (slowly recovering herself) to EGYPT. We had better have let
him go to sleep, I think, after all!
L. You had better let the younger ones go to sleep now: for I
haven't half done.
ISABEL (panic-struck). Oh! please, please! just one quarter of an
hour.
L. No, Isabel, I cannot say what I've got to say in a quarter of
an hour; and it is too hard for you, besides:--you would be lying
awake, and trying to make it out, half the night. That will never
do.
ISABEL. Oh, please!
L. It would please me exceedingly, mousie: but there are times
when we must both be displeased; more's the pity. Lily may stay
for half an hour, if she likes.
LILY. I can't, because Isey never goes to sleep, if she is waiting
for me to come.
ISABEL. Oh, yes, Lily, I'll go to sleep to-night. I will, indeed.
LILY. Yes, it's very likely, Isey, with those fine round eyes! (To
L.) You'll tell me something of what you we been saying, to-
morrow, won't you?
L. No, I won't, Lily. You must choose. It's only in Miss
Edgeworth's novels that one can do right, and have one's cake and
sugar afterwards as well (not that I consider the dilemma, to-
night, so grave).
(LILY, sighing, takes ISABEL'S hand.)
Yes, Lily dear, it will be better, in the outcome of it, so, than
if you were to hear all the talks that eer were talked, and all
the stories that ever were told. Good-night.
Public-domain text, read in full here on John Shaqi.
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