Authors, English -- 19th century -- Biography; Jefferies, Richard, 1848-1887
"The pale beams of the waning moon still cast a shadow of the
cottage, when the labourer rises from his heavy sleep on a winter's
morning. Often he huddles on his things and slips his feet into his
thick 'water-tights'--which are stiff and hard, having been wet
over-night--by no other light than this. If the household is
comparatively well managed, however, he strikes a match, and his
'dip' shows at the window. But he generally prefers to save a
candle, and clatters down the narrow steep stairs in the
semi-darkness, takes a piece of bread and cheese, and steps forth
into the sharp air. The cabbages in the garden he notes are covered
with white frost, so is the grass in the fields, and the footpath
is hard under foot. In the furrows is a little ice--white because
the water has shrunk from beneath it, leaving it hollow--and on the
stile is a crust of rime, cold to the touch, which he brushes off
in getting over. Overhead the sky is clear--cloudless but pale--and
the stars, though not yet fading, have lost the brilliant glitter
of midnight. Then, in all their glory, the idea of their globular
shape is easily accepted; but in the morning, just as the dawn is
breaking, the absence of glitter conveys the impression of
flatness--circular rather than globular. But yonder, over the elms,
above the cowpens, the great morning star has risen, shining far
brighter, in proportion, than the moon; an intensely clear metallic
light--like incandescent silver.
"The shadows of the trees on the frosted ground are dull. As the
footpath winds by the hedge the noise of his footstep startles the
blackbird roosting in the bushes, and he bustles out and flies
across the field. There is more rime on the posts and rails around
the rickyard, and the thatch on the haystack is white with it in
places. He draws out the broad hay-knife--a vast blade, wide at the
handle, the edge gradually curving to a point--and then searches
for the rubber or whetstone, stuck somewhere in the side of the
rick. At the first sound of the stone upon the steel the cattle in
the adjoining yard and sheds utter a few low 'moos,' and there is a
stir among them. Mounting the ladder, he forces the knife with both
hands into the hay, making a square cut which bends outwards,
opening from the main mass till it appears on the point of parting
and letting him fall with it to the ground. But long practice has
taught him how to balance himself half on the ladder, half on the
hay. Presently, with a truss unbound and loose on his head, he
enters the yard, and passes from crib to crib, leaving a little
here and a little there. For if he fills one first there will be
quarrelling among the cows, and besides, if the crib is too
liberally filled, they will pull it out and tread it under foot."
Public-domain text, read in full here on John Shaqi.
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