Authors, English -- 19th century -- Biography; Jefferies, Richard, 1848-1887
"The Lower Path, after stile and hedge and elm, and grass that
glows with golden buttercups, quietly leaves the side of the double
mounds and goes straight through the orchards. There are fewer
flowers under the trees, and the grass grows so long and rank that
it has already fallen aslant of its own weight. It is choked, too,
by masses of clogweed, that springs up profusely over the sight of
old foundations; so that here ancient masonry may be hidden under
the earth. Indeed, these orchards are a survival from the days when
the monks laboured in vineyard and garden, and mayhap even of
earlier times. When once a locality has got into the habit of
growing a certain crop, it continues to produce it for century
after century; and thus there are villages famous for apple or pear
or cherry, while the district at large is not at all given to such
culture.
"The trunks of the trees succeed each other in endless ranks, like
columns that support the most beautiful roof of pink and white.
Here the bloom is rosy, there white prevails: the young green is
hidden under the petals that are far more numerous than leaves, or
even than leaves will be. Though the path really is in shadow as
the branches shut out the sun, yet it seems brighter here than in
the open, as if the place were illuminated by a million tiny lamps
shedding the softest lustre. The light is reflected and apparently
increased by the countless flowers overhead.
"The forest of bloom extends acre after acre, and only ceases where
hedges divide, to commence again beyond the boundary. A
wicket-gate, all green with a film of vegetation over the decaying
wood, opens under the very eaves of a cottage, and the path goes by
the door--across a narrow meadow where deep and broad trenches,
green now, show where ancient stews or fishponds existed, and then
through a farmyard into a lane. Tall poplars rise on either hand,
but there seem to be no houses; they stand in fact a field's
breadth back from the lane, and are approached by footpaths that
every few yards necessitate a stile in the hedge.
"When a low thatched farmhouse does abut upon the way, the blank
white wall of the rear part faces the road, and the front door
opens on precisely the other side. Hard by is a row of beehives.
Though the modern hives are at once more economical and humane,
they have not the old associations that cling about the straw domes
topped with broken earthenware to shoot off the heavy downfall of a
thunderstorm.
Public-domain text, read in full here on John Shaqi.
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