we become older, as the spreading oak gives more shelter. That we could but take to the soul some of the greatness and the beauty of the summer! "I cannot leave it; I must stay under the old tree in the midst of the long grass, the luxury of the leaves, and the song in the very air. I seem as if I could feel all the glowing life the sunshine gives and the south wind calls to being. The endless grass, the endless leaves, the immense strength of the oak expanding, the unalloyed joy of finch and blackbird; from all of them I receive a little. Each gives me something of the pure joy they gather for themselves. In the blackbird's melody one note is mine; in the dance of the leaf shadows the formed maze is for me, though the motion is theirs; the flowers with a thousand faces have collected the kisses of the morning. Feeling with them, I receive some, at least, of their fulness of life. Never could I have enough; never stay long enough--whether here or whether lying on the shorter sward under the sweeping and graceful birches, or on the thyme-scented hills. Hour after hour, and still not enough. Or walking the footpath was never long enough, or my strength sufficient to endure till the mind was weary. The exceeding beauty of the earth, in her splendour of life, yields a new thought with every petal. The hours when the mind is absorbed by beauty are the only hours when we really live, so that the longer we can stay among these things so much the more is snatched from inevitable Time. Let the shadow advance upon the dial--I can watch it with equanimity while it is there to be watched. It is only when the shadow is _not_ there, when the clouds of winter cover it, that the dial is terrible. The invisible shadow goes on and steals from us. But now, while I can see the shadow of the tree and watch it slowly gliding along the surface of the grass, it is mine. These are the only hours that are not wasted--these hours that absorb the soul and fill it with beauty. This is real life, and all else is illusion, or mere endurance. Does this reverie of flowers and waterfall and song form an ideal, a human ideal, in the mind? It does; much the same ideal that Phidias sculptured of man and woman filled with a godlike sense of the violet fields of Greece, beautiful beyond thought, calm as my turtle-dove before the lurid lightning of the unknown. To be beautiful and to be calm, without mental fear, is the ideal of nature. If I cannot achieve it, at least I can think it."