Authors, English -- 19th century -- Biography; Jefferies, Richard, 1848-1887
Although he wrote this paper while in dire straits of poverty; although
he had already entered that valley whose gloomy sides continually
narrow; where the slopes become, little by little, precipices; where the
light grows dim, and where the spectre of death slowly rises before the
eyes and takes shape: although he lived poorly; although he continued
unknown to the mass of the reading world, who passed him by, everything,
to us, seems compensated by the splendid power which he had now acquired
of thinking such thoughts and expressing them in such language. I have
heard it said by some that Jefferies wrote too much. Not a single page
too much, beginning from the "Gamekeeper at Home," and thinking only of
the "Gamekeeper's" legitimate successors! That is to say, we are
prepared to surrender portions, but not all--saving great pieces, huge
cantles, here and there whole chapters--of "Bevis," "Wood Magic," "After
London," "Green Ferne Farm," "The Dewy Morn," and even "Amaryllis." We
will blot out everything that has to do with the ordinary figures,
conversations, and situations of what the writer called a novel. But of
the rest we will not part with one single line. Year after
year--generation after generation--the truth and fidelity and beauty of
these pages will sink deeper and deeper into the heart of the world. So
deeply will they sink, so long will they live, that he who writes a
memoir of this man trembles for thinking that when future ages ask who
and what was the man who wrote these things, the pages which contain his
life may seem unequal to the subject--too low, pedestrian, and creeping
for the greatness of the author he commemorates.
I return to the packet of letters. They go on to offer articles, and to
explain how promised papers are getting on. He wrote nine papers in all
for _Longman's Magazine_--namely, three in 1883, two in 1884, one in
1885, one in 1886, and two, which appeared after his death, in the year
1887.
Public-domain text, read in full here on John Shaqi.
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