Authors, English -- 19th century -- Biography; Jefferies, Richard, 1848-1887
"The casual glimpses which the ordinary population bestowed upon
that wondrous world of sap and leaves called the Hintock woods had
been, with these two, a clear gaze. They had been possessed of its
finer mysteries as of commonplace knowledge; had been able to read
its hieroglyphs as ordinary writing; to them the sights and sounds
of night, winter, wind, storm, amid those dense boughs, were simple
occurrences whose origin, continuance, and laws they foreknew. They
had planted together, and together they had felled; together they
had, with the run of the years, mentally collected those remoter
signs and symbols which seen in few were of runic obscurity, but
all together made an alphabet. From the light lashing of the twigs
upon their faces when brushing through them in the dark, they could
pronounce upon the species of the tree whence they stretched; from
the quality of the wind's murmur through a bough they could in like
manner name its sort afar off. They knew by a glance at a trunk if
its heart were sound, or tainted with incipient decay; and by the
state of its upper twigs the stratum that had been reached by its
roots. The artifices of the seasons were seen by them from the
conjuror's own point of view, and not from that of the spectator."
There are not in the whole of the English-speaking world, which now
numbers close upon a hundred million, more, I suppose, than forty
thousand who read Jefferies' works. Out of the forty thousand not
one-half have read them all. For some are contented with the "Gamekeeper
at Home," "Red Deer," and the "Amateur Poacher." Some have on their
shelves "The Life in the Fields," or "The Open Air." Few, indeed, have
read all those books which came from his brain in so full and clear a
stream. This stream may be likened unto the river by whose banks
Petrarch loved to wander; inasmuch as it springs full grown from the
foot of a great bare precipice. All around is tumbled rock. So, among
the heaped and broken rocks of disappointed hopes and baffled attempts,
this full, strong, and clear stream leaped forth triumphant.
For the greater part of mankind Jefferies is too full. They cannot
absorb so much; they are more at their ease with the last century poets
who use to talk vaguely of the perfumed flowers, the rustling leaves,
the finny tribe, and the warbling of the birds in the bosky grove. It
fatigues them to read of so much that they can never see for themselves;
it irritates them, perhaps, even to think that there is so much; they
are more at home among their geraniums in the conservatory; they even
call his style a cataloguing.
Public-domain text, read in full here on John Shaqi.
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