The Evacuation of England: The Twist in the Gulf StreamGratacap, L. P. (Louis Pope)
General
The Evacuation of England: The Twist in the Gulf Stream
Gratacap, L. P. (Louis Pope)
Climatic changes -- Fiction; Great Britain -- Fiction
On the floor of the centre aisle a slightly raised platform or carpeted
way, should be laid down, along which the King and Queen, in procession
should pass to the choir. This was to be matted over and covered with
crimson cloth. On the pavement of the aisle bordering this carpeted way
should stand the soldiery as a fence against interference.
The theatre where the principal parts of the ceremony were to be
enacted lies immediately under the central tower of the Abbey, and was
a square formed by the intersection of the choir and the transcepts,
extending nearly the whole breadth of the choir. On this square a
platform was to be erected ascended by five steps. The summit of this
platform and also the highest step leading to it, was to be covered
with the richest cloth of gold. From that step down to the flooring of
the theatre, all was covered with carpet of rich red or purple color
bordered with gold. In the centre of the theatre the sumptuously
draped chair was to be placed for the sovereign, in which he receives
the homage of the Peers.
This interior pomp and splendor escaped the observation of Leacraft,
though he was not unfamiliar with the details of the solemn pageant,
but now it hardly interested him. His mind by a natural emancipation
from the thrall of such spectacles, dwelt rather on the attitude of the
people in this extreme peril and solicitude. He felt inquisitive to
learn their feelings, their hopes, their cohesiveness in the changed
estate. Were they likely to resolve into a chaos of preferences with
only the cry of _sauve qui peut_ in their mouths, or would they follow
the new destinies, and preserve the nation. At length the populace were
coming into their own. It was pretty evident that a King and Queen
and Regalia, and Peers, and Peeresses, and a much surpliced Clergy,
would not make a nation, without the workers, the rent payers, the men
of action, the bread winners, the clerks, artisans, and merchants,
the householder and his family, and that the sacred classes would be
suddenly subjected to a _reductio ad absurdum_, if they formed the
only inhabitants of the new regime and their titles lost their _raison
d’etre_ with the disappearance of the untitled mass.
Public-domain text, read in full here on John Shaqi.
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