The Evacuation of England: The Twist in the Gulf StreamGratacap, L. P. (Louis Pope)
General
The Evacuation of England: The Twist in the Gulf Stream
Gratacap, L. P. (Louis Pope)
Climatic changes -- Fiction; Great Britain -- Fiction
At Tilbury on the Essex bank, opposite Gravesend, where rise the low
bastions of Tilbury Fort, originally constructed by Henry III, King
Edward the VII, would in a fashion diverse, and with a different end in
view, also declare that he “had the heart and stomach of a King, and of
a King of England too,” as had said Queen Elizabeth. But now it should
be said by a King unappalled by the invasion of the powers of the air,
as she was before the power of Spain, but now said with undiminished
confidence and high hope, though said too with obedience to the supreme
mandate of expulsion.
Before it took place, Leacraft and Thomsen began their long walk from
Ludgate hill, and Leacraft intently watched the street crowds. He
noted also with recording interest the groups in the balconies with
lunch baskets. The expectant air everywhere was not unnoticeably
mingled with a kind of frightened silence. There was not much noise,
no indiscriminate hubbub in the streets, and where groups were
encountered, hurrying to their destination, they were quiet and
restrained. Tension was evident, a high strung expectancy verging with
impalpable approach upon tears, and the agony of penitential promises.
The fundamentally religious optimism of the Englishman was confounded,
and his acceptance of invisible guidance made itself seen in faces
desolated by the grief of tears.
The preparations were remarkable and elaborate. The windows were filled
with chairs. Platforms were erected, almost luxuriously draped with red
cloth and scarlet velvet, and surging crowds in spots seemed to bely
the significance of the portentous moment. From time to time as the two
observers walked in the middle of the street, they stopped reluctantly
to notice signs of mourning. These took on the form of trailing
streamers of crape, hung upon white cloth and their singularity amid
the almost bombastic surplusage of scarlet dressings, awoke protest and
resentment. At one point there was a particularly conspicuous dismal
challenge to the susceptibilities of the spectators in a balcony loaded
with sombre trappings which gained a startling prominence because of
the patriotic and cheerful decorations on either side of it. Before
this lugubrious appeal a small group of malcontents had gathered, and
were indulging in incendiary criticism.
“Hits no use turning a sour face to the thing. What’s got to be, is
got to be, and a little heart will keep a sour stomach from making
itself sick. Hi say we’re hall in the same boat, and cheerfulness makes
pleasant company. Such a show as that hought not to be tolerated, Hi
say.” This belligerency came from the thick lips of a red faced man,
who had his coat over his arm, and whose leathern leggings, corduroy
knee breeches, and flaming weskit with a high collar strapped to his
muscular neck by a pea green scarf, betokened a representative of the
“fancy,” or an ostler turned out for a day’s holiday.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account