The Evacuation of England: The Twist in the Gulf StreamGratacap, L. P. (Louis Pope)
General
The Evacuation of England: The Twist in the Gulf Stream
Gratacap, L. P. (Louis Pope)
Climatic changes -- Fiction; Great Britain -- Fiction
And yet what an eviction! This glorious old England, with its sweet
homes, its innumerable beauties, its convincing happiness of downs and
glade and gardens, flowering into clouds of blossoms, its lakes, its
gentle streams, its æsthetic softness and dimness, its manifold and
opulent charm of landscape, the hurrying and constant kisses of its
moist skies, in league with all the graces of the seasons--to cast this
aside, and begin again, elsewhere, in regions drear and sterile of all
these things; ah! that was too hard! too hard! and, as he had often
done, Leacraft covered his face with his hands and sobbed.
Amid these fluctuating thoughts and feelings, the hansom swung with
vehement oscillations along the streets, in the more deserted parts
of London, and brought its occupant in sight of the Bethnal Green
Museum, from which a diversion along Old Ford Road and Approach Road,
flung him into Victoria Park, the huge playground of the poorer eastern
section of the city. He was driven to the eastern part of the immense
reservation, and was gratified to find a public meeting in progress,
the exact thing he most wished to be present at, and to estimate.
In a broad and treeless area of the park, with the grass showing
hesitatingly after the long winter, but vivid also in spots, in the
strong light of the afternoon, with an atmosphere strangely variant
from the traditional, and, to Leacraft, much loved velvety softness
and mellowed obscuration of former days, were gathered a multitude of
people. They surrounded a speaker, who, on some sort of improvised
platform, with a knot of associated leaders, with a swaying body and
occasionally outstretched hands, was engaged in a harangue which was
received with attention unattended by the slightest demonstration of
assent or disapproval. It looked from a short distance almost like a
devotional assembly, it seemed so reverently silent, and as Leacraft
approached, this impression was partially at least verified, for the
speaker’s hands ceased their agitated appeal, the occasional higher
cries proceeding from his lips died away, and a song or hymn burst
suddenly from the still motionless multitude. It lasted for an instant,
perhaps a single verse, and as Leacraft drew near, another man from
the platform group stood up, and stepped to the front of the small
stand. At that precise moment the cannonading, agreed upon as a signal,
announced the starting of the royal cortege, and the sad beginning
of the imperial evacuation of England. It was heard with far away
reverberations, as it was repeated from other nearer points, and this
vagueness, by a congruity of effect with the dull misery weighing on
Leacraft’s heart, seemed to give to it a deeper poignancy of grievous
import. It produced the impression of an irrevocable doom. As the
sounds were heard by the assembled crowds, the speaker lifted his hand
and raised his face skyward, as if in supplication, the heads were all
Public-domain text, read in full here on John Shaqi.
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