The Evacuation of England: The Twist in the Gulf StreamGratacap, L. P. (Louis Pope)
General
The Evacuation of England: The Twist in the Gulf Stream
Gratacap, L. P. (Louis Pope)
Climatic changes -- Fiction; Great Britain -- Fiction
The streets were filled with flying equipages, and the mansions were
ablaze, the sidewalks held few pedestrians, and as Leacraft sorrowfully
moved through the stately purlieus, music swept out from open windows
or swinging doors. Often he paused and watched the descending occupants
of the carriages; they were entrancing women and peerless men, their
laughter was silvery and undismayed, unchecked by tears. Could it
be possible that these inner esoteric circles of London high life
and unimaginable wealth indulged in revelry; could not the crash and
fall of empires turn the votaries of gayety to soberer thoughts, or
stifle the intoxicating voice of pleasure? Leacraft wondered, and
the weariness of a great suspense weighed him down; the ingrained
Puritanism of his nature raged against this heartlessness, this
indecent bravado, a mockery of joy, where all should be shadowed with
the sighs of penitence and supplication.
Leacraft was bitterly offended at this apparent heartlessness; it
startled him beyond the limits of endurance; he looked for some
representative of this foolish life, upon whom to turn with rebuke
and denunciation. Leacraft wandered on in a disconsolate mood, and
the growing indications, with the falling night, that the fashionable
world of London was engaged, in a preconcerted way, to spend the last
hours of its metropolitan sojourn in a spendthrift vortex of excitement
and conviviality moved him to muttered objurgations. He had slipped
past Hyde Park Corners, past the Apsley House, and had glided with
hastening steps, as his passion of revolt, at this unseemly loss of
self-respect, rose to a towering indignation, into Grosvenor Square.
He stood facing the long facade, where in repetitive elegance, with
columned porches and mansard roofs, and wall-like chimneys, the
mansions of the very rich, illumined at all their windows, poured forth
a torrent of light. Aggrieved and stupefied, he shot into Berkley
Square, and still no interruption to the aspect of mad revelry. Could
it be a frenzied spasm of indulgence, before separation forever from
the bliss of the West End, that terrestrial paradise of swelldom and
financial and social glory? He wondered. And thus wondering, he came
to Devonshire House, fronting Piccadilly. The comfortable home, with
its small brick work, peeking chimney pots, the low entablature and
triple doors behind the iron gateway, and the unbroken watch of the
woman-headed sphinxes, on either side of the elevated escutcheon of
the Kingdom, was there, encompassed by its imprisoning walls--and
here, too, the effrontery of lavish gayety assaulted his eyes. The
gates were flung wide open, powdered footmen were ranged before the
doors, arriving and departing carriages threaded Piccadilly with
conscienceless celerity, music uttered its delicious melodies, and in
them was no requiem note, no throb of sorrow, and the guests crowding
into its dazzling halls seemed untouched by thoughts less careless
Public-domain text, read in full here on John Shaqi.
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