The Evacuation of England: The Twist in the Gulf StreamGratacap, L. P. (Louis Pope)
General
The Evacuation of England: The Twist in the Gulf Stream
Gratacap, L. P. (Louis Pope)
Climatic changes -- Fiction; Great Britain -- Fiction
But here came Egypt bearing her witness of the universality of that
power which, with her, at least, had seemed to play the part of a
benevolent trustee and guide. No longer the impetuous crowds crushed
the line of march; behind the blaring band that now approached rode
Lord Kitchener, Sirdar of the Egyptian army who had resumed his ancient
post and from an overwrought sentiment for exoneration, announced his
desire to remain there and thus efface the irreconcileable differences
which had caused Lord Curzon’s retirement from India. It was a
magnanimous action and had deeply ingratiated this popular hero in
the favor of the nation. Lord Kitchener, with his staff, preceded,
in military stateliness, and with smart precision, five regiments or
groups of Egyptian soldiers. These were combined or selected so as to
make a bouquet of colors, but essentially business like also in their
serious regularity, a demeanor fortified to the point of affectation by
the plaudits and unconcealed admiration of the hosts of people on the
streets, and protruding from every point above them. There were Arab
lancers--in light blue uniforms, almost too delicate in tone for daily
travel, the bodies of the camel corps, with the blackest type of men in
the Sudanese infantry regiments, assimilating to the soil of the desert
in the color of their khaki costume, and then other details of the
military organization, gleaming in immaculate white trousers and coats.
It was unmistakably effective, and it imparted moral strength to this
illimitable advertisement of physical power. It recalled the campaigns
of Khartum and Omdurman, and memorialized that time-worn boast of
the English rehabilitation of Egypt; a fact certainly, but not to be
distinguished as a very incredible achievement.
Public-domain text, read in full here on John Shaqi.
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