The First Discourse not only took the prize at Dijon, but attracted a great deal of notice in Paris, and immediately gave Rousseau a distinguished place among men of letters. Controversy was excited, refutations attempted. In 1753 the Academy of Dijon again offered a prize for an essay on a subject evidently connected with the former one: "What is the Origin of Inequality among Men, and whether it is authorized by Natural Law." Again Rousseau competed, and this time the prize was given to some one else, but Rousseau's essay was published, and takes rank among the important writings of its author and of its time. In the Second Discourse we see the development of the ideas of the First. Rousseau composed an imaginary history of mankind, starting from that being of his own creation, the happy savage. He thinks that man in the primitive condition, having no moral relations nor known duties, could be neither good nor bad; unless these words are taken in a purely physical sense, and those things are called vices in the individual which may interfere with his own preservation, and those are called virtues which may contribute to it. In this case, Rousseau believes that he must be called the most virtuous who least resists the simple impulses of nature; a mistake surely, for what natural impulses are more simple than those which turn a man aside from all sustained exertion, and what impulses tend more than these to the destruction of the individual and of the species? Rousseau's savage has but few desires, and those of the simplest, and he is dependent on no one for their satisfaction. In him natural pity is awake, although obscure, while in civilized man it is developed, but weak. The Philosopher will not leave his bed although his fellow-beings be slaughtered under his window, but will clap his hands to his ears and quiet himself with arguments. The savage is not so tranquil, and gives way to the first impulse. In street fights the populace assembles and prudent folk get out of the way. It is the rabble and the fishwives who separate the combatants, and prevent respectable people from cutting each other's throats.[Footnote: Rousseau says in his Confessions (Oeuvres, xviii. 205 n. Part. ii. liv. viii.), that this heartless philosopher was suggested to him by Diderot, who abused his confidence, and gave his writings at this time a hard tone and a black appearance. The abuse of confidence is nonsense, but the comic picture of the philosopher, with his hands on his ears, may well have come from Diderot. Rousseau was always in deadly earnest.]