The Evening Post: A Century of JournalismNevins, Allan
History
The Evening Post: A Century of Journalism
Nevins, Allan
New York post
Another evidence of the high esteem in which the newspaper held Bryant
appeared when on Sept. 5 it translated from the _Revue Encyclopedique_
of Paris a flattering notice of “the exquisite and finished beauty of
the little poems from the pen of W. C. Bryant.” The French magazine
credited “the poet of the Green River” with having destroyed “the
too commonly received opinion that the moral and physical features
of the New World are too cold and serene for the glorious visions of
poetry.” In October Coleman spoke of the editors of the _United States
Review_ as “men whose labors heretofore have contributed so much to the
elevation of the American character in the republic of letters”; and he
reprinted Bryant’s “Mary Magdalene.” The poet returned from Boston via
Cummington, and brought his wife with him to live.
It was made clear to readers that fall that there was a new and
vigorous hand in the management of the journal. Coleman’s steady loss
of health had been accompanied by a decline in the strength of his
editorial utterances. Moreover, he was an editor of the old school that
had passed away with the era of good feeling, and that was now out of
place. He liked to fight over old battles--he debated the Hartford
Convention with Theodore Dwight, and the Florida Purchase with the
_National Advocate_. His newspaper was neither Whig nor Democrat, but
might best be described as a Federalist sheet qualified by a mild
attachment to Andrew Jackson. In the Presidential election of 1824 it
had supported Crawford simply because Coleman hated John Quincy Adams
as a traitor to Federalism. It was prosperous, for Michael Burnham,
still an active man, saw to that. It had improved in many respects. In
1816 it had been enlarged to offer six columns to the page, instead of
five, or twenty-four in all, and the amount of miscellaneous matter
had increased; a short time earlier it had begun printing two editions,
one at two and the other at four p. m.; in May, 1819, it had used
its first news illustration, a rough drawing of “the velocipede, or
swift-walker”; and in January, 1817, it had begun to make a very rare
use of the first page for news. But the journal tended too much to look
backward, not forward.
Public-domain text, read in full here on John Shaqi.
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