But that paradise was not clear until Christianity had gradually cleared it. The pagan world, as such, would not have understood any such thing as a serious suggestion that a child is higher or holier than a man. It would have seemed like the suggestion that a tadpole is higher or holier than a frog. To the merely rationalistic mind, it would sound like saying that a bud must be more beautiful than a flower or that an unripe apple must be better than a ripe one. In other words, this modern feeling is an entirely mystical feeling. It is quite as mystical as the cult of virginity; in fact it is the cult of virginity. But pagan antiquity had much more idea of the holiness of the virgin than of the holiness of the child. For various reasons we have come nowadays to venerate children; perhaps partly because we envy children for still doing what men used to do; such as play simple games and enjoy fairy-tales. Over and above this, however, there is a great deal of real and subtle psychology in our appreciation of childhood; but if we turn it into a modern discovery, we must once more admit that the historical Jesus of Nazareth had already discovered it two thousand years too soon. There was certainly nothing in the world around him to help him to the discovery. Here Christ was indeed human; but more human than a human being was then likely to be. Peter Pan does not belong to the world of Pan but the world of Peter. Even in the matter of mere literary style, if we suppose ourselves thus sufficiently detached to look at it in that light, there is a curious quality to which no critic seems to have done justice. It had among other things a singular air of piling tower upon tower by the use of the _a fortiori_; making a pagoda of degrees like the seven heavens. I have already noted that almost inverted imaginative vision which pictured the impossible penance of the Cities of the Plain. There is perhaps nothing so perfect in all language or literature as the use of these three degrees in the parable of the lilies of the field; in which he seems first to take one small flower in his hand and note its simplicity and even its impotence; then suddenly expands it in flamboyant colours into all the palaces and pavilions full of a great name in national legend and national glory; and then, by yet a third overturn, shrivels it to nothing once more with a gesture as if flinging it away ’... and if God so clothes the grass that to-day is and to-morrow is cast into the oven--how much more....’ It is like the building of a good Babel tower by white magic in a moment and in the movement of a hand; a tower heaved suddenly up to heaven on the top of which can be seen afar off, higher than we had fancied possible, the figure of man; lifted by three infinities above all other things, on a starry ladder of light logic and swift imagination. Merely in a literary sense it would be more of a masterpiece than most of the masterpieces in the libraries; yet it seems