The mere fact of being absolutely alone from midday to dark would have
been for Gloria an experience at any time and in any environment. Of
her friends in the city there were many who had never in a lifetime
known what it was to spend half a dozen consecutive daytime, waking
hours in perfect solitude, catching not so much as a fleeting glimpse of
a servant, a policeman, a nurse, or a street-car conductor in the
echoing street. Solitude rendered rippleless by an absence of any
familiar sound; neither the whisk of a maid's broom, the clang of a
telephone bell, the buzz of motors, or the slamming of doors. At those
intervals when King thought of her, it was to realize that she might
quite naturally find discomfort in her bleak surroundings, being denied
coal-grate and upholstered chair; it did not suggest itself to him that
the chief discomfort would be a spirit-crushing, terrifying loneliness.
She told herself, when he had gone, that she was glad to be alone. Five
minutes later she began to stir restlessly; another five minutes and
already she was listening for his return. Never once during the day was
there a sudden or unexpected sound, whether the snapping of a burning
faggot or the scratching against the rock of a log rolling apart, or the
flap of her canvas, that she did not look expectantly toward the rude
door through which she thought to see him returning.
Once that her restlessness came upon her she could not remain quiet. She
drew on her boots and walked up and down, casting fearsome glances
toward the darkest portion of the cavern, shunning it, keeping the fire
between it and herself. When she peered out across the desolate world
she drew back from its bleak menace, shuddering, returning to crouch
miserably by her fire, shut in between two frightful things, the black
unknown of the bowels of the cave, the white horror of the brutal,
insensate wilderness. And, in her almost hysterical emotional frenzy she
saw back of each of them the man, Mark King, as though they were but the
expressions of his own brutality.
Public-domain text, read in full here on John Shaqi.
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