St. Bride, otherwise St. Bridget, confers her name upon the parish of St. Bride’s, for to her its church in Fleet-street is dedicated. Butler says she was born in Ulster, built herself a cell under a large oak, thence called Kill-dara, or cell of the oak, was joined by others of her own sex, formed several nunneries, and became patroness of Ireland. “But,” says Butler, “a full account of her virtues has not been transmitted down to us, together with the veneration of her name;” yet he declares that “her five modern lives mention little else but wonderful miracles.” According to the same author, she flourished in the beginning of the sixth century, her body was found in the twelfth century, and her head “is now kept in the church of the Jesuits at Lisbon.” This writer does not favour us with any of her miracles, but bishop Patrick mentions, that wild ducks swimming in the water, or flying in the air, obeyed her call, came to her hand, let her embrace them, and then she let them fly away again. He also found in the breviary of Sarum, that when she was sent a-milking by her mother to make butter, she gave away all the milk to the poor; that when the rest of the maids brought in their milk she prayed, and the butter multiplied; that the butter she gave away she divided into twelve parts, “as if it were for the twelve apostles; and one part she made bigger than any of the rest, which stood for Christ’s portion; though it is strange,” says Patrick, “that she forget to make another inequality by ordering one portion more of the butter to be made bigger than the remaining ones in honour of St. Peter, the prince of the apostles.” BURIAL OF ALLELUIA. In Mr. Fosbroke’s “British Monarchism,” the observation of this catholic ceremony is noticed as being mentioned in “Ernulphus’s Annals of Rochester Cathedral,” and by Selden. From thence it appears to have taken place just before the octaves of Easter. Austin says, “that it used to be sung in all churches from Easter to Pentecost, but Damasus ordered it to be performed at certain times, whence it was chanted on Sundays from the octaves of Epiphany to Septuagesima, and on the Sundays from the octaves of Pentecost and Advent. One mode of burying the Alleluia was this: in the sabbath of the _Septuagesima_ at Nones, the choristers assembled in the great vestiary, and there arranged the ceremony. Having finished the last ‘Benedicamus,’ they advanced with crosses, torches, holy waters, and incense, carrying a turf (Glebam) in the manner of a coffin, passed through the choir and went howling to the cloister, as far as the place of interment; and then having sprinkled the water, and censed the place, returned by the same road. According to a story (whether true or false) in one of the churches of Paris, a choir boy used to whip a top, marked with _Alleluia_, written in golden letters, from one end of the choir to the other. In other places _Alleluia_ was buried by a serious service on Septuagesima Sunday.”