had no time to spare, he had so harassed the progress of these cartoons by his eagerness, that the scaffolding was struck before they were thoroughly completed; yet, as there was not any thing of importance to be added, Michael determined not to undergo the labour of reerecting the machinery. The pope loved splendour, and wished them ornamented with gold. Michael answered, “In those days gold was not worn, and the characters I have painted were neither rich, nor desirous of riches; they were holy men with whom gold was an object of contempt.” Julius soon afterwards died; and the execution of his mausoleum was frustrated by Leo X., to whose patronage Michael was little indebted. He finished his celebrated cartoon of the Last Judgment, for the east end of the Sistine chapel, in 1541. On Christmas-day in that year the chapel was opened, and residents in the most distant parts of Italy thronged to see it. In the following year, he painted the Conversion of St. Paul, and the Crucifixion of St. Peter, on the walls of the chapel Paolina. In 1546, when he was 72 years old, the reigning pope nominated him architect of St. Peter’s. Michael would only accept the appointment on the condition that he received no salary; that he should have uncontrolled power over the subordinate officers; and be allowed to alter the original design conformably to his own judgment. It was necessary to adapt and contract that design to the impoverished state of the papal exchequer. Though numerous impediments were purposely opposed to his progress with this splendid edifice, he advanced it rapidly; and before he was 74, he had completed the Farnese palace, built a palace on the hill of the Capitol for the senator of Rome, erected two galleries for sculpture and painting on the same site, and threw up a flight of steps to the church of the convent of Araceli--an edifice remarkable for its occupying the highest part of the hill whereon the temple of Jupiter Capitolinus formerly stood, and, more especially, for Gibbon having mused there, while listening to the vespers of the bare-footed friars, and conceived the first thought of writing his “History of the Decline and Fall of the Roman Empire.”