The Every-day Book and Table Book, v. 1 (of 3): or Everlasting Calendar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the AlmanacHone, William
History
The Every-day Book and Table Book, v. 1 (of 3): or Everlasting Calendar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac
Hone, William
Days; Great Britain -- Social life and customs
At the age of eighty-nine a slow fever indicated Michael Angelo’s
approaching decease. His nephew, Leonardo Buonarrotti, was sent for; but
not arriving, and the fever increasing, he ordered the persons who were
in the house into his chamber, and in the presence of them and his
physicians uttered this verbal will:--“My soul I resign to God, my body
to the earth, and my worldly possessions to my nearest of kin:” then
admonishing his attendants, he said, “In your passage through this life,
remember the sufferings of Jesus Christ.”
Thus died one of the greatest artists, and one of the noblest men of
modern times. The ceremony of his funeral was conducted at Rome with
great pomp, but his remains were removed within a month to Florence, and
finally deposited in the church of Santa Croce at Florence. In 1720, the
vault was opened; the body retained its original form, habited in the
costume of the ancient citizens of Florence, in a gown of green velvet,
and slippers of the same.
According to his English biographer, Mr. Duppa, Michael Angelo was of
the middle stature, bony in make, rather spare, and broad shouldered;
his complexion good, his forehead square and “somewhat” projecting; his
eyes hazel and rather small; his brows with little hair; his nose flat
from a blow given him in his youth by Torrigiano; his lips thin; his
cranium large in proportion to his face. Within these pages a detail of
his works will not be sought. The few particulars mentioned are from Mr.
Duppa’s quarto life, where many of them are enumerated, and outline
sketches of some of them are engraved.
Public-domain text, read in full here on John Shaqi.
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